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Fantastic Four #178 front cover

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~7.5 AI-Estimated
Approximate
Condition Profile
FANTASTIC FOUR #178
MARVEL COMICS · 1/77 · NEWSSTAND
UNIT ECA-028127

FANTASTIC FOUR #178

Roy Thomas and George Pérez continue the Thundra/Brute subplot in a workmanlike late-1976 Fantastic Four issue

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// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics January 1977 Bronze Newsstand — LISTED ON EBAY

// Copies in archive

UnitGradeVariantStatus
ECA-028127 ~7.5 Newsstand LISTED ON EBAY ↗ (opens eBay in a new tab)
ECA-039459 ~7.5 Newsstand LISTED ON EBAY ↗ (opens eBay in a new tab)

// Run position

Part of an unbroken run · #70–#319 · 250 issues View all 361 available issues of FANTASTIC FOUR →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Graded at 7.5 (VF-) on 2026-11-03, from new photos taken out of the sleeve: front, back and interior page. Small nick on the open edge. Faint cloudy soil on the back with tanned margins. Corners lightly worn. Narrow pale band beside the spine. Cream to tan pages.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $5
MID_RAW 4.0 – 6.0 $14
HIGH_CERT 9.8 SLAB $130

// Archive commentary

Fantastic Four #178 arrived in early 1977 as part of Roy Thomas's run on the title, with art by George Pérez early in his career and inks by Dave Hunt. The issue continues the Thundra/Brute subplot that had been running through the previous several issues, folding in a topical cameo appearance by real-world political figures Gerald Ford, Ronald Reagan, and Abe Beame. It is a connective, subplot-driven chapter rather than a landmark issue: no character makes a first appearance here, and no origin or death occurs within its pages.

Market data reflects that status. With 174 Universal copies already on census against a modest 39 in 9.8, the book is well-supplied at every grade level, and certified sales activity in the mid and lower grades is thin to nonexistent, indicating little collector pressure below near-mint. Demand is concentrated at the top of the grade curve, where Pérez's developing art and Bronze Age FF continuity still draw completist interest, but pricing across grades 7.0 and below has stayed flat and low for years, consistent with a common, easily found back-issue.

This is a title-run and creator-run pickup rather than a speculative key: Fantastic Four and Pérez-artwork completists will pursue certified high grades, particularly 9.6 and 9.8, where population is comparatively tighter and prices step up meaningfully. Raw copies in low and mid grade trade near bulk-box levels and are best suited to readers filling out a Thomas/Pérez run rather than investors, while 9.8 slabs represent the only bracket with sustained transactional interest.

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