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Fantastic Four #175 front cover

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~8.0 AI-Estimated
Approximate
Condition Profile
FANTASTIC FOUR #175
MARVEL COMICS · 10/76
UNIT ECA-028136

FANTASTIC FOUR #175

Bronze Age Fantastic Four bridging into the Impossible Man/Skrull cameo storyline

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// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics October 1976 Bronze — — LISTED ON EBAY

// Copies in archive

// Run position

Part of an unbroken run · #70–#319 · 250 issues View all 361 available issues of FANTASTIC FOUR →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Graded at 8.0 (VF) on 2026-11-03, from new photos taken out of the sleeve: front, back and interior page. Tiny nicks on the open edge of the front. Corners lightly worn. Cream back cover with slight waves. Cream to tan pages.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $8
MID_RAW 4.0 – 6.0 $16
HIGH_CERT 9.8 SLAB $240

// Archive commentary

Fantastic Four #175 arrived in October 1976 as part of the extended Roy Thomas run that steered the team through a lighter, more comedic storyline involving the shape-shifting Impossible Man, with George Pérez handling pencils and Joe Sinnott inking in his customary polished style. The issue sits in the run immediately preceding the well-remembered FF #176, in which the Impossible Man's offspring impersonate real-world Marvel staff, and it functions as connective narrative tissue rather than a standalone landmark. There is no first appearance, death, or origin story attached to this issue, and it is not cited in price guides as a key entry in the Fantastic Four's history.

Market data shows a book that behaves like a typical mid-run Bronze Age Marvel title: values are flat and modest across low through mid grades, with only a handful of certified sales below CGC 8.0 and consistent pricing in the mid-teens for those copies. Demand strengthens meaningfully at the top of the census, where 9.6 and 9.4 copies command roughly six times the mid-grade price, and 9.8 copies pull a further substantial premium, driven by the relatively high population of graded copies competing for a thin top tier. This pattern indicates collector interest concentrated on condition rarity and Pérez's developing art rather than on any narrative significance of the issue itself.

The book suits completist Fantastic Four collectors building a run through the Thomas/Pérez era and buyers assembling early George Pérez art regardless of story content, rather than key-issue investors. Raw copies in low and mid grades trade cheaply and are readily available given the large graded population, making them easy entry points, while CGC 9.8 examples are the primary object of active bidding and command the bulk of the book's total value. Expect steady, unspectacular appreciation tied to Pérez's growing reputation rather than any spikes associated with character milestones.

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