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Fantastic Four #166 front cover

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~8.0 AI-Estimated
Approximate
Condition Profile
FANTASTIC FOUR #166
MARVEL COMICS · 1/76
UNIT ECA-028163

FANTASTIC FOUR #166

Roy Thomas and Rich Buckler close out the Sphinx saga for Marvel's First Family

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// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics January 1976 Bronze — — LISTED ON EBAY

// Copies in archive

UnitGradeVariantStatus
ECA-028163 ~8.0 — LISTED ON EBAY ↗ (opens eBay in a new tab)

// Run position

Part of an unbroken run · #70–#319 · 250 issues View all 361 available issues of FANTASTIC FOUR →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Graded at 8.0 (VF) on 2026-11-03, from new photos taken out of the sleeve: front, value stamp page, back and interior page. Bright glossy front with a clean spine edge. Light wear on the bottom edge near the right corner. Faint scuffing in the brown art at lower right. Both staples in place at the center spread. Cream pages tanning toward the margins.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $8
MID_RAW 4.0 – 6.0 $26
HIGH_CERT 9.8 SLAB $290

// Archive commentary

Fantastic Four #166 (January 1976) arrived at the tail end of Roy Thomas's run scripting Marvel's flagship team title, with art by Rich Buckler and inks by Joe Sinnott completing the multi-issue Sphinx arc that had begun a few issues earlier. The story pits Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm against Anath-Na Mut, the ancient Egyptian sorcerer known as the Sphinx, whose power derives from a Cosmic Cube fragment known as the Ka Stone. The issue is a solid example of mid-1970s Marvel cosmic-adventure storytelling, blending pseudo-mythological villainy with the interpersonal dynamics that defined the Lee-Kirby foundation Thomas and Buckler were building upon.

The book's market profile reflects its status as a well-collected but non-key chapter in a long-running, heavily preserved series: a substantial certified population (nearly 400 CGC Universal copies) keeps supply ample across the grade spectrum, and sales activity is steady but unspectacular in the mid grades. Demand is driven primarily by Fantastic Four series completists and Bronze Age Marvel collectors assembling the Thomas/Buckler run rather than by any first-appearance or landmark-event premium, which keeps raw and low-grade values modest while high-grade certified copies still command a real premium reflecting the difficulty of finding pristine surviving copies from ordinary newsstand distribution.

This issue trades as a dependable but unglamorous run-filler: budget-minded collectors and dealers restocking longbox inventory will find raw copies in low and mid grade readily available and inexpensively priced, while the 9.8 tier draws a narrower pool of grade-focused Fantastic Four specialists and registry builders willing to pay a steep multiple over mid-grade value for top-census condition. It is best positioned in inventory as a complementary piece to the surrounding Sphinx-arc issues rather than as a standalone highlight.

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