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Fantastic Four #142 front cover
~8.5 AI-Estimated
Approximate
Condition Profile
FANTASTIC FOUR #142
MARVEL COMICS · 1/74
UNIT ECA-028235

FANTASTIC FOUR #142

Bronze Age Fantastic Four featuring the team's Inhumans-adjacent lineup shakeup, John Buscema art

SIG 3/10 Available

// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics January 1974 Bronze AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-028235 ~8.5 AVAILABLE

// Run position

Part of an unbroken run · #1–#319 · 319 issues View all 379 available issues of FANTASTIC FOUR →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows strong gloss and vibrant color with sharp corners and no visible creases or tears. There is minor edge wear at the top and bottom borders and a slight bend visible near the bottom right corner. Spine appears tight with no major stress lines visible in this image. Interior and back cover were not assessed, so grade is based solely on the front cover presentation.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $8
MID_RAW 4.0 – 6.0 $30
HIGH_CERT 9.8 SLAB $300

// Archive commentary

Fantastic Four #142, cover-dated January 1974, arrived during a transitional stretch of the series under writer Gerry Conway and penciler John Buscema, a period marked by shifting rosters and subplots involving the Inhumans and the team's uneasy family dynamics. The issue falls within the run that saw Medusa filling in for a departed Sue Richards and Crystal cycling in and out of active duty, reflecting Marvel's mid-1970s efforts to keep its flagship team fresh after the Lee-Kirby era. While not tied to a single landmark event, the issue is representative of the workmanlike, well-illustrated FF stories of the period that kept the title a dependable seller.

Market data shows a typical Bronze Age curve: modest, largely flat pricing across low-to-mid grades, followed by a steep climb only at the top of the census, where high-grade white-page copies become scarce relative to demand. The gap between near-mint and gem-mint values is proportionally large, consistent with a book that saw ordinary print runs and handling rather than speculative hoarding at the time of release. Demand is driven primarily by Fantastic Four and Inhumans completists and Bronze Age run-builders rather than by cross-market key-issue speculation.

This is a collecting-context book: appealing to FF series runs, Buscema art collectors, and those assembling the Inhumans-adjacent storylines of the early-to-mid 1970s. Lower and mid-grade raw copies trade cheaply and steadily as reading/run copies, while CGC 9.8 examples command a real premium reflecting genuine scarcity at the top of the census rather than any first-appearance or landmark status. Expect it to move briskly in bulk lots or bargain bins in lower grades, with occasional stronger results for pedigree-quality slabs sold individually.

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