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Fantastic Four #134 front cover

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~7.5 AI-Estimated
Approximate
Condition Profile
FANTASTIC FOUR #134
MARVEL COMICS · 5/73
UNIT ECA-028259

FANTASTIC FOUR #134

Thing vs. Thundra rematch cover, Buscema art, Fantastic Four Bronze Age issue

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// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics May 1973 Bronze — — LISTED ON EBAY

// Copies in archive

UnitGradeVariantStatus
ECA-028259 ~7.5 — LISTED ON EBAY ↗ (opens eBay in a new tab)

// Run position

Part of an unbroken run · #70–#319 · 250 issues View all 361 available issues of FANTASTIC FOUR →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Graded at 7.5 (VF-) on 2026-11-02, from new photos taken out of the sleeve: front, back and interior page. A few small color-breaking ticks along the dark spine. Strong gloss. Corners sharp. Clean back. Cream pages.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $8
MID_RAW 4.0 – 6.0 $20
HIGH_CERT 9.8 SLAB $150

// Archive commentary

Fantastic Four #134 arrived in the spring of 1973 as part of the extended Thundra storyline that ran through the low #130s, pitting Ben Grimm against the towering warrior-woman from a matriarchal future timeline. Gerry Conway scripted the issue with pencils by John Buscema and inks by Joe Sinnott, a veteran creative team then steering Marvel's flagship title through a transitional period following Stan Lee and Jack Kirby's earlier run. The issue is a middle chapter rather than an origin point — Thundra had already debuted a few issues prior — so its interest rests on the ongoing rivalry and the era's polished house art rather than any character's first appearance.

Market data reflects a book that trades as a solid but unspectacular mid-run Bronze Age Fantastic Four issue. Certified population is substantial, with nearly 170 Universal copies graded and the bulk clustering in the 9.2 to 9.6 range, indicating a well-preserved, widely available print run rather than a scarce commodity. Pricing across the upper grades is notably flat, with 9.4 and 9.6 copies trading within a few dollars of one another, which suggests collector demand plateaus quickly once a copy reaches high-grade condition rather than escalating sharply, a pattern typical of non-key issues from this period.

This is a book for Fantastic Four series completists and Bronze Age Buscema-art collectors building toward a full run, rather than a speculative or investment-grade key. Entry-level and mid-grade raw copies remain inexpensive and readily sourced, making the title an accessible run-filler; the absence of any 9.8 on the census leaves room for a modest premium at the top of the grading scale, but nothing approaching key-issue multiples. Expect steady, unhurried turnover across all grades rather than competitive bidding.

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