Approximate
Condition Profile
DC COMICS · 11/66
UNIT ECA-038117
DETECTIVE COMICS #357
New Look-era Batman adventure from the Carmine Infantino/Julius Schwartz Detective Comics run
// Unit specification
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-038119 | ~5.5 | — | AVAILABLE |
| ECA-038117 | ~4.0 | — | AVAILABLE |
// Run position
// Condition analysis
This pre-1977 book has only one edition, so no direct/newsstand distinction applies. Visible defects include a prominent diagonal crease running through the speech balloon and upper right corner area, multiple smaller creases across the lower right figures, corner wear with slight blunting at top corners, and general surface wear consistent with handling. Colors remain bright with no major fading or staining visible. Interior and back cover were not assessed, only the front cover shown in this photo.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $15 | |
| MID_RAW | 4.0 – 6.0 | $28 | |
| HIGH_CERT | 9.8 SLAB | $1,200 |
// Archive commentary
Detective Comics #357 arrived in November 1966 during the height of the "New Look" Batman era, the editorial and artistic overhaul spearheaded by Julius Schwartz that streamlined the Dark Knight's rogues' gallery, tightened his visual identity around the yellow oval bat-symbol, and coincided with the debut of the ABC Batman television series. The issue is a standard entry in that celebrated stretch of the title, featuring Batman and Robin in a done-in-one detective adventure typical of the period's emphasis on plot-driven mystery over the campier fare of the preceding decade. Carmine Infantino's redesign work defined the look of Gotham's heroes throughout this run, and covers from this stretch of Detective Comics are consistently associated with his clean, dynamic layouts.
The GoCollect FMV curve for this issue reflects a solid but unspectacular mid-run Silver Age Batman title rather than a recognized key: values hold in the $140 range across most mid-to-high grades before spiking meaningfully only at 9.6, where census population thins to thirteen copies and pricing jumps to roughly $400. Demand is driven primarily by Silver Age Batman-title completists and New Look-era specialists rather than crossover speculators, since the issue carries no widely cited first appearance, death, or landmark creative milestone. The scarcity of true gem-mint copies — a single 9.8 on a census of 113 — creates outsized upside at the very top of the grade scale even without corresponding sales history to confirm it.
This book collects as a representative, affordable entry point into the New Look Batman run rather than a marquee acquisition. Lower and mid-grade raw copies move steadily among readers assembling a run of the title, priced modestly and without much volatility. The real market interest concentrates at the high end of the census, where the gap between readily available 9.4/9.2 copies and the lone 9.8 rewards patient graders and high-end buyers willing to pay a scarcity premium for top-of-census condition, even in the absence of a deep sales record at that grade.
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