DARKHOLD: PAGES FROM THE BOOK OF SINS #10

Cover shows strong color and gloss with sharp corners and no visible creases or spine stress in this photo; the spine appears tight with no color breaking along the fold. There is minor edge wear visible at the top right corner and slight surface sheen from the protective sleeve, but no tears, stains, or writing are apparent. The book is in a protective sleeve, which may obscure minor surface defects. Interior and back cover were not assessed.

Darkhold: Pages from the Book of Sins ran sixteen issues from late 1992 into January 1994 as part of Marvel's Midnight Sons line, the horror-flavored family of titles spun out of Ghost Rider's commercial peak. The premise centers on the Darkhold Redeemers, a small team assembled to recover and destroy the scattered pages of the Book of Sins, and issue ten continues that arc with Vicki Montesi, Louise Hastings, Sam Buchanan and Jinx set against Modred and the Darkholders, with the child sorceress Diabolique in play. Chris Cooper scripted the series throughout, giving the run an unusually consistent authorial voice for a Marvel ongoing of the period, and the book carries genuine interest for readers tracking how Marvel handled occult material between the Tomb of Dracula era and the modern Strange Academy generation.

Market-wise this is a common-era book with no meaningful scarcity. Print runs of Midnight Sons titles were substantial, unsold inventory circulated widely through the 1990s, and price-tracking services show no certified census population and effectively no recorded graded sales for this specific issue. Raw copies move as filler or as part of run fills, most often bundled, and the ceiling on any single raw transaction is set by shipping economics rather than collector competition. Demand drivers are narrow: run collectors completing the sixteen-issue set, Midnight Sons completists, and occasional interest generated when the Darkhold name resurfaces on screen, which lifted issue one and the series' first appearances but left the mid-run largely untouched.

Buyers here are set builders and 1990s Marvel horror specialists rather than investors. In low grade the book trades as reading copy inventory and is rarely listed individually; in mid grade it competes with the abundant near-mint supply that survives in dealer boxes, which compresses any grade-based spread almost to nothing. Certification is economically marginal and typically undertaken only when someone is registry-building the full run, so a high-grade slab prices off the cost of grading plus a thin premium rather than off collector scarcity. Sellers with clean copies are generally better served offering full or partial runs, where the aggregate carries more weight than any single issue.