DARK ANGEL #14

Cover shows strong gloss and sharp corners with no visible creases, tears, or spine stress lines. Colors appear vibrant with no fading, and the cover sits flat with clean edges. The book is in a protective plastic sleeve, which may be masking minor surface wear; interior pages and back cover were not assessed.

Dark Angel #14 falls near the end of Marvel UK's short-lived Shevaun Haldane title, which began as Hell's Angel and was renamed with issue #6 after a naming dispute. Scripted by Bernie Jaye with pencils by Salvador Larroca and inks by John Stokes, this installment is the second chapter of the closing "Aftermath" arc, drawing together the Mys-Tech Techno-Wizards, the Anti-Being, the Encoders, Minion, and Mephisto as the series moved toward its conclusion two issues later. Its principal historical interest is as early American-market work by Larroca, whose subsequent Marvel career at X-Factor, X-Men, and Iron Man far outstripped anything the Marvel UK line achieved, and as part of the Mys-Tech continuity that fed into Mys-Tech Wars and the later MI-13 revival of the character.

Market behavior for the title is that of a 1990s bulk run: print runs were adequate for demand that never materialized, distribution was direct-market heavy in the United States, and high-grade copies survive in quantity because few of these books were read hard. Dealer inventories carry the run continuously at low fixed prices rather than clearing it through auction, which is the clearest signal available about demand. There is no first appearance, origin, or death in this issue to draw speculative attention, and the arc's characters have limited profile outside the Marvel UK collecting niche, so the pricing spread across grades is compressed to a degree unusual even for the era. Certified copies are scarce not because the book is rare but because grading economics rarely justify submission.

Buyers are almost exclusively Marvel UK completists assembling the Hell's Angel and Dark Angel run intact, Larroca collectors working backward through his bibliography, and Mys-Tech continuity readers. Those buyers overwhelmingly want unrestored, well-centered copies at the top of the raw scale, where supply is ample and price competition is intense; below Fine, copies function as filler and trade in multi-issue lots rather than individually. A certified high-grade example is a specialty item whose value tracks the cost of certification more than the underlying book, and resale depends on locating one of the small number of registry-minded Marvel UK collectors rather than on any broad market bid.