Approximate
Condition Profile
MARVEL COMICS · 8/97 · DIRECT EDITION
UNIT ECA-003189
CONAN THE BARBARIAN #2
Marvel's mid-1990s Conan revival continues with Castellini art
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | August 1997 | Modern | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-003191 | ~9.4 | Direct Edition | AVAILABLE |
| ECA-003189 | ~9.0 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and sharp corners with no visible creases or color breaks. Spine appears flat with no stress lines visible in this photo. Slight bend or crimp visible near the bottom-left edge of the cover, and the book is currently housed in a plastic sleeve which creates minor glare. Interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $55 |
// Archive commentary
Conan the Barbarian #2 belongs to Marvel's 1997 relaunch of the character under a second volume number, an attempt to revive the sword-and-sorcery franchise several years after the long-running original series had ended. This issue features pencils by Claudio Castellini with inking from Sandu Florea and Lewis LaRosa, coloring by John Kalisz, and lettering by John Costanza, under editors Bob Harras and Joe Andreani. The issue also includes a Robert E. Howard text feature, a nod to the character's pulp-fiction origins that Marvel had included in earlier Conan runs as well. Conan appears alongside the supporting character Vessila in this early chapter of the revival.
This volume of Conan the Barbarian was short-lived and never achieved the sales or cultural footprint of Marvel's original 1970s-1980s run, which had introduced Conan to American comics and built a substantial following around Barry Windsor-Smith's and John Buscema's work on the character. By the late 1990s, the black-and-white sword-and-sorcery boom had faded and direct-market print runs across the industry were comparatively low, and this title did not generate the kind of first-appearance or landmark-issue demand that drives premium pricing. It circulates today as a piece of the broader Conan publishing history rather than as a sought-after single issue.
Collectors of this book are typically completists building a full run of Marvel's Conan volumes or Castellini art collectors rather than speculators chasing a key. Raw copies in any reading condition are inexpensive and plentiful, reflecting the modest print run and lack of any notable first appearance or milestone content. Graded submissions are uncommon, and a top-grade slab would appeal mainly to census-chasers rather than to buyers seeking investment-grade material.
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