CONAN #2

Cover shows sharp corners and clean, glossy surface with no visible creases, tears, or spine stress. Colors appear bright and unfaded with strong gloss retention. The book is in a protective sleeve which limits close inspection of edges, and the back cover and interior pages were not assessed. No significant defects are visible in this photo, supporting a high near-mint grade.

Conan #2 (Marvel Comics, September 1995) continues the second half of Marvel's brief mid-1990s attempt to revive its Conan the Barbarian franchise, following the character's return to the publisher after his long run at Marvel had ended and before rights eventually moved elsewhere. This installment, subtitled "The Treasure of Harach Gnar," was written by Larry Hama, with art by Barry Crain (pencils and cover) and Jimmy Palmiotti (inks), coloring by Marie Javins, and letters by John Costanza, under editor Bob Harras. The stories in this volume drew on the Robert E. Howard source material that had defined the character since his 1932 pulp debut, but the series itself was a short-lived, self-contained revival rather than a continuation of the celebrated 1970s Marvel run illustrated by Barry Windsor-Smith and John Buscema.

The book carries no premium in the current market and is treated as bulk stock: unsold inventory rather than a title with active collector demand. This reflects the series' brief run, modest sales at the time, and the absence of any first appearance, origin story, or landmark creative milestone tied to this specific issue. The Hama/Crain Conan revival is remembered, when discussed at all, as a competent but unremarkable footnote in the character's decades-long publishing history, overshadowed by both the earlier Roy Thomas-era Marvel run and Dark Horse's later, more celebrated Conan line.

Collectors of this issue are typically completists working through Marvel's full Conan bibliography or readers picking up cheap back issues rather than investors. Raw copies move steadily at or near cover price in dollar bins and online lots, with little grade sensitivity below near-mint. Certified high-grade copies see occasional interest from CGC-focused collectors chasing low-population slabs of otherwise disregarded 1990s titles, but this demand is thin and speculative rather than driven by the book's actual content or historical standing.