Approximate
Condition Profile
MARVEL COMICS · 2/91 · NEWSSTAND
UNIT ECA-026783
CAPTAIN AMERICA #382
Gruenwald-era Serpent Society chapter with Mark Bagley pencils, in scarcer newsstand distribution
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | February 1991 | Copper | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-026783 | ~9.4 | Newsstand | AVAILABLE |
| ECA-005140 | ~9.0 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and vivid color with no visible fading; corners appear sharp with no blunting or whitening. No spine ticks, creases, or color breaks are visible along the spine in this photo. The book is housed in a protective sleeve which limits full assessment of edges and surface; interior pages and back cover were not examined.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $1 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $30 |
// Archive commentary
Captain America #382 falls within Mark Gruenwald's long, meticulously plotted run on the title, arriving during a Serpent Society storyline that showcases the villain team's ensemble dynamic. Mark Bagley provides pencils early in a career that would soon define his Spider-Man work, with Danny Bulanadi inking the cover and Dan Panosian handling interior inks. The issue is a mid-continuity chapter rather than a debut or landmark event, populated by established characters including Anaconda, Asp, Black Mamba, Bushmaster, Cottonmouth, Coachwhip, and Diamondback alongside Captain America and Bernie Rosenthal.
Market data for this issue is thin. The certified population is small, with only a handful of copies graded and no 9.8 examples recorded on census or in sales history. The best documented result sits at 9.6, and pricing at that tier remains modest, consistent with a Copper Age Marvel title that trades mainly among run-builders rather than speculators chasing a specific key. The newsstand distribution designation adds a layer of scarcity relative to direct-edition copies of the same issue, though this has only a marginal effect on realized prices given the overall low demand ceiling.
This issue suits collectors assembling a complete Gruenwald-era Captain America run or those tracking early Mark Bagley pencil work rather than buyers seeking a marquee investment piece. Raw copies in low and mid grades trade for nominal sums reflecting bulk-bin availability, while a hypothetical pristine certified copy would command a premium chiefly due to census scarcity rather than storyline importance. Expect this book to remain a value-priced building block for long-box collectors and Bagley completists rather than a headline lot.
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