Approximate
Condition Profile
MARVEL COMICS · 4/84 · NEWSSTAND
UNIT ECA-005026
CAPTAIN AMERICA #304
Mid-run Copper Age Captain America, Nick Fury guest appearance, first 65-cent issue of the series
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | April 1984 | Copper | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-005026 | ~8.5 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and sharp corners overall; slight whitening/wear visible at top left corner tip and minor rubbing along the top edge. Spine appears tight with no visible stress lines or ticks in this photo. No significant creases, tears, or color breaks are apparent, though the book is in a protective sleeve which limits close inspection of edges. Interior pages and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $70 |
// Archive commentary
Captain America #304, cover-dated April 1985, carries the story "Undercover of the Night!" by writer Mike Carlin with pencils by Paul Neary, inks by Dennis Janke, colors by Ken Feduniewicz, and a Neary cover; Mark Gruenwald edited, shortly before taking over the writing chores for his long defining run. The plot continues the Stane International arc in which Batroc, Machete, and Zaran deliver Cap's shield to Obadiah Stane, with Captain America and Nomad breaking in to recover it and to reach metallurgist Dr. Myron MacLain. Nick Fury guest-stars. Two points of housekeeping interest to run collectors: this is the first 65-cent issue of the title, and the letters page carries a statement of ownership reporting an average print run near 296,000 with paid circulation just under 149,000.
Market-wise this is a common mid-run Copper Age book with no first appearance or death to drive speculation, and it trades accordingly. Supply is heavy at every grade below the top of the scale, and raw copies move as run filler in dealer boxes and multi-issue lots rather than as individual listings. The 75-cent Canadian price variant of the same issue commands a modest premium over the standard US newsstand printing, a reminder that the edition designation matters more than the grade for buyers at this level. Certified demand is limited: the census is shallow because grading fees exceed the value of most copies, which is precisely why the handful of top-grade slabs that surface carry a disproportionate multiple over raw.
The buyer here is the run collector completing the Gruenwald-era approach to the title, the Obadiah Stane or Nick Fury completist, and the registry builder chasing high-grade Copper Age Marvel where population counts stay low. Below Fine the book is essentially a reading copy and should be priced as such; through the mid grades it functions as inexpensive run stock; only at 9.6 and 9.8 does the scarcity of surviving newsstand copies with sharp corners and clean spines generate real competition. Newsstand distribution in this period means well-centered, tightly stapled examples are meaningfully harder to source than direct-market equivalents, which is the one structural argument for upside at the top of the scale.
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