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Captain America #275 front cover
~9.2 AI-Estimated
Approximate
Condition Profile
CAPTAIN AMERICA #275
MARVEL COMICS · 11/82 · NEWSSTAND
UNIT ECA-026568

CAPTAIN AMERICA #275

J.M. DeMatteis and Mike Zeck-era Captain America, part of the build to Steve Rogers' resignation storyline

SIG 3/10 Available

// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics November 1982 Bronze Newsstand AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-026568 ~9.2 Newsstand AVAILABLE
ECA-013682 ~8.5 Newsstand AVAILABLE

// Run position

Part of an unbroken run · #271–#385 · 115 issues View all 274 available issues of CAPTAIN AMERICA →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows strong gloss and sharp corners with no visible creases or color breaks. Spine appears tight with no stress lines visible in this view. Minor handling wear cannot be ruled out due to the protective sleeve reflections, and interior/back cover were not assessed.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $3
MID_RAW 4.0 – 6.0 $8
HIGH_CERT 9.8 SLAB $190

// Archive commentary

Captain America #275 (November 1982) arrived during J.M. DeMatteis's run as writer, with art by Mike Zeck, immediately preceding the celebrated "Cap No More" arc in which Steve Rogers relinquishes his identity as Captain America. The issue sits within a well-regarded stretch of the Bronze Age Captain America title that is remembered more for its sustained storytelling quality and Zeck's dynamic linework than for any single first appearance or origin moment contained in this specific number.

Market activity is sparse and consistent with a mid-run Bronze Age Marvel title that was produced in large newsstand print runs and has not drawn sustained speculative interest. Certified sales cluster at the top of the grade scale, with a modest gap between the 9.4 and 9.6 price points and a pronounced premium at 9.8, reflecting the usual scarcity curve for pristine Bronze Age copies rather than any storyline-driven demand spike. Lower-grade raw copies trade as inexpensive filler for run-builders rather than as sought-after single issues.

This book appeals primarily to Captain America completists assembling the DeMatteis/Zeck run and to Bronze Age dealers stocking affordable mid-run inventory. Raw copies in low and mid grades move steadily but cheaply as bulk or want-list fillers, while high-grade census copies command outsized premiums purely on condition scarcity; buyers pursuing 9.8 examples are grading specialists and registry competitors rather than character or story collectors.

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