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Captain America #25 front cover
~9.2 AI-Estimated
Approximate
Condition Profile
CAPTAIN AMERICA #25
MARVEL COMICS · 12/99 · DIRECT EDITION
UNIT ECA-006239

CAPTAIN AMERICA #25

Double-sized 1999 Captain America issue launching the Dan Jurgens creative run, with the Hate-Monger as antagonist

SIG 2/10 Available

// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics December 1999 Modern Direct Edition AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-006239 ~9.2 Direct Edition AVAILABLE

// Run position

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows strong gloss and sharp corners with no visible creases, spine stress, or color breaking. Slight edge wear is difficult to assess due to protective sleeve reflections, and the book is stored in a plastic bag which slightly obscures fine surface detail. Interior and back cover were not assessed, so grade is based solely on this front cover photo.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal · no market comps found — era-based estimate
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $2
MID_RAW 4.0 – 6.0 $4
HIGH_CERT 9.8 SLAB $55

// Archive commentary

Captain America #25 (Marvel, December 1999) is a double-sized anniversary-numbered issue in the character's third ongoing volume, published as part of the line-wide Marvel numbering that had relaunched Captain America alongside the other Avengers-family titles in 1998. The issue marks the point at which Dan Jurgens took over as writer and penciler, following the run initiated by Mark Waid and Ron Garney, and features the Hate-Monger as the central antagonist in a story addressing themes of American identity and extremism that have recurred throughout Captain America's publishing history.

The issue carries no premium in standard price-guide data, which places it firmly among the ordinary back issues of Captain America's late-1990s run rather than among the volume's recognized keys, such as the character-redefining stories from the Waid/Garney opening arc. Demand for the book is driven almost entirely by completist collectors assembling the full Jurgens run or the volume 3 series in general, rather than by any first appearance, landmark death, or notable cover association. As a double-sized issue it holds a small amount of shelf interest as a jumping-on point, but that has not translated into meaningful aftermarket value.

This is a reader- and completist-market book: raw copies move at or near cover price in dollar bins and online lots, purchased mainly by those building a run rather than speculating on appreciation. High-grade certified examples see only modest premiums driven by scarcity of submission rather than demand, and the book is unlikely to see significant movement in either direction; it functions best as connective tissue in a longer Captain America collection rather than as a standalone investment piece.

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