Approximate
Condition Profile
MARVEL COMICS · 11/78 · NEWSSTAND
UNIT ECA-026485
CAPTAIN AMERICA #227
Bronze Age Cap faces the Red Skull with a Jerry Bingham cover and Roger McKenzie script
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | November 1978 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-026485 | ~8.5 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and sharp corners with no visible creases or color breaks. Spine appears tight with no stress lines visible in this view. Minor edge wear is possible near the bottom corners but not clearly evident at this resolution; slight surface glare obscures fine detail assessment. Interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $5 | |
| HIGH_CERT | 9.8 SLAB | $120 |
// Archive commentary
Captain America #227 is a late-1970s Bronze Age issue written by Roger McKenzie with a cover by Jerry Bingham, pitting Captain America and Bucky Barnes against the Red Skull, with Nick Fury also appearing. The issue arrives during a transitional creative period on the title, following Jack Kirby's departure from the book, and reflects the more grounded, espionage-tinged storytelling McKenzie brought to the series before Roger Stern and John Byrne's celebrated run began shortly after. It is representative of a well-regarded villain matchup rather than a first appearance or origin story, and it holds no landmark status within the character's publishing history.
Market data shows a typical Bronze Age common-book curve: values stay flat and modest through the mid grades before spiking sharply at 9.6 and 9.8, where census population thins and sales become sporadic. The 9.8 tier commands a real premium relative to 9.4 and below, driven by the difficulty of finding Bronze Age newsstand copies with sharp corners and clean covers rather than by narrative significance. Demand is almost entirely condition-driven, concentrated among Captain America run collectors and Red Skull completists rather than key-issue speculators.
This is a book that trades as a run-filler in low and mid grades, picked up inexpensively by readers assembling a full Captain America collection, while top-census 9.8 copies attract a narrower pool of grade-chasing collectors willing to pay a steep premium for census-topping examples. It is not a book driven by crossover or first-appearance demand, so its long-term appreciation will likely track general Bronze Age Marvel trends rather than outperform them.
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