Approximate
Condition Profile
DARK HORSE COMICS · 1/03 · DIRECT EDITION
UNIT ECA-010356
BUFFY THE VAMPIRE SLAYER #54
Late-run issue of Dark Horse's ongoing Buffy the Vampire Slayer series
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Dark Horse Comics | 2003 | Modern | Direct Edition | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows sharp corners, strong gloss, and vivid color with no visible spine stress lines or ticks. Edges appear clean with no chipping or creasing observed at this resolution. The book is bagged, which limits full assessment of surface sheen and any minor印 print or handling marks; interior and back cover were not assessed. Based solely on the visible front cover, this presents as a high-grade copy.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $55 |
// Archive commentary
Buffy the Vampire Slayer #54 is part of Dark Horse Comics' original ongoing series based on the Joss Whedon television property, launched in 1998 and continuing through the early 2000s as a direct extension of the show's continuity rather than an adaptation of specific episodes. By issue #54, cover-dated 2003, the series was deep into its second-half run of original storylines featuring the core Scooby Gang, with the writing and art chairs having rotated among several contributors over the book's run, including Tom Fassbender and Jim Pascoe on scripts and Cliff Richards on pencils during this stretch. The book sits within a long, well-documented licensed-comics run rather than at any origin point for the characters, all of whom had been established for years on television and in earlier issues of the same series.
As a mid-run issue of a licensed television tie-in title, this book carries the market profile typical of the format: steady collector interest from Buffy fans and completists of the Dark Horse run, but no first appearance, death, or landmark creative milestone driving independent demand. Copies were printed in ample quantities for the direct market at the time and have remained plentiful since, which keeps raw copies trading close to original cover price regardless of the current strength of the broader collectibles market. Graded copies see only modest premiums, reflecting a builder-and-reader audience rather than speculative buying.
This issue is best suited to collectors assembling a complete run of the Dark Horse Buffy series or fans seeking early-2000s issues featuring the show's characters, rather than investment-oriented buyers. Raw copies in any handled condition are readily available and inexpensive, while high-grade slabs appeal mainly to those pursuing a graded set of the series rather than to buyers chasing a specific key moment. Expect this book to continue trading as a steady, low-cost piece of a larger collection rather than as a standalone investment.
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-010356 | ~9.2 | Direct Edition | AVAILABLE |
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