AVENGERS #93

Pre-1977 issue so no direct/newsstand distinction applies. Cover shows moderate wear: visible spine stress with whitening along the top portion, a diagonal crease running through the upper left corner near the Vision figure, and some rubbing/wear at the corners with slight blunting. There is minor surface wear and a small stain or discoloration near the top edge; the book is in a protective sleeve which obscures fine surface detail. Interior and back cover were not assessed.

Avengers #93, cover-dated November 1971, arrives at the climactic stretch of the Kree-Skrull War, the sprawling cosmic saga that redefined the team's scope under writer Roy Thomas. The issue is best remembered for its interior artwork: a Neal Adams and Sal Buscema collaboration, inked by Tom Palmer, that includes a widely reproduced double-page spread depicting the massed Kree and Skrull fleets in battle. That single image has been reprinted in art retrospectives and cited repeatedly in collector discussions of the era's finest comic book page composition, giving the issue a reputation built on craft rather than a first appearance or death.

Market data shows a large certified population (674 Universal copies of 803 total graded) with steady demand concentrated in the low-to-mid grades, where supply is abundant and pricing stays modest. Values climb sharply above 9.0, and the gap widens further at the top of the census: only a handful of 9.6 copies exist and none in 9.8 has recorded a sale, reflecting how thin high-grade survivorship is for a Bronze Age team book handled heavily on newsstands. The jump from the 9.6 FMV to any theoretical 9.8 sale price illustrates the premium collectors place on pedigree-level survival of a book prized as much for artistic reputation as continuity importance.

This is a book collected primarily by Avengers run-builders, Kree-Skrull War completists, and Neal Adams art collectors rather than key-issue speculators chasing a single character debut. Raw copies in low and mid grade move steadily as filler for long-box runs and rarely attract bidding wars, while CGC 9.6 and any future 9.8 submissions will draw attention from Bronze Age Marvel specialists and art-focused buyers who prize the double-page spread as a display piece. Expect the book to trade on a fairly gentle curve through the mid grades before spiking hard at the top of the census, consistent with a recognized art-key rather than a first-appearance grail.