Approximate
Condition Profile
MARVEL COMICS · 3/87 · DIRECT EDITION
UNIT ECA-022028
AVENGERS #289
Roger Stern-era Avengers lineup story with John Buscema art, cover-dated March 1987
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | March 1987 | Copper | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-019417 | ~9.2 | Direct Edition | AVAILABLE |
| ECA-022028 | ~9.2 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and sharp corners with no visible creases or color breaks. Spine appears tight with only minor stress at the top edge, and edges look clean without chipping. The Spider-Man corner box indicates direct edition. Book is in a protective sleeve which limits close inspection; interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $5 | |
| MID_RAW | 4.0 – 6.0 | $10 | |
| HIGH_CERT | 9.8 SLAB | $175 |
// Archive commentary
Avengers #289 arrived during Roger Stern's extended run as the title's writer, with art by John Buscema and inks by Tom Palmer, a creative team that defined the book's late Bronze into Copper Age identity. The issue falls within a period when the roster included Captain America, Thor, She-Hulk, Captain Marvel (Monica Rambeau), the Black Knight, and Namor the Sub-Mariner, reflecting Stern's efforts to balance longtime mainstays with newer additions. It is a mid-run installment rather than a storyline milestone, offering steady continuity and craftsmanship typical of the era's flagship team title without a first appearance, death, or other landmark event attached to it.
Market activity for this issue is limited, with only a handful of recorded certified sales spread across a wide grade range. Prices climb sharply at the top of the census, consistent with a book that has plenty of high-grade copies available but few active buyers competing for them, meaning demand is present but not deep. The gap between mid-grade and near-mint sales suggests collectors chasing pristine copies pay a real premium, while raw and lower-grade copies remain inexpensive and readily available for readers assembling a run.
This issue mainly appeals to Avengers completists and Roger Stern/John Buscema run collectors rather than speculators chasing a key. Lower-grade raw copies trade as inexpensive filler for long boxes and reading collections, mid-grade raw copies see modest interest from those building presentable runs, and true high-grade CGC 9.8 examples, while scarce on census, command buyer interest mostly from grade-chasers and registry participants rather than from broad market demand.
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