AVENGERS #28

Cover shows strong gloss and vibrant color with sharp corners and no visible creases or spine stress. There is a faint printing/registration line near the bottom edge and slight softness at the top right corner, but overall the surface appears clean. Book is in a protective sleeve, which limits full assessment of edges; interior and back cover were not evaluated.

Avengers #28 (Volume 3) arrived in May 2000 as part of the celebrated Kurt Busiek and George Perez run, positioned within the sprawling "Kang Dynasty" storyline that saw the time-traveling conqueror seize control of Earth. The issue reflects the creative team's ambitious, continuity-rich approach to the team book, populating the story with a wide roster of Avengers past and present as the conflict against Kang escalates. While not a first appearance or origin issue, it stands as a representative chapter of one of the most acclaimed modern-era Avengers arcs, valued by readers for its scale and Perez's meticulous linework.

Market data reflects the issue's status as a mid-run entry in a well-regarded but not top-tier-key series: census figures are thin, with only a handful of certified copies and few recorded sales at any grade. Demand is driven primarily by completists assembling the Busiek/Perez Avengers run rather than speculators chasing a landmark first appearance, which keeps pricing modest and grade curves relatively flat. The narrow gap between the 9.2 and 9.8 FMVs suggests that condition sensitivity for this issue is low, consistent with a modern print run of ample supply and limited breakout demand.

This is a book for series completists and Busiek/Perez run collectors rather than key-issue investors. Raw copies in lower and mid grades trade for nominal sums reflecting bulk long-box availability, while pristine 9.8 slabs command a modest premium tied to the scarcity of top-census copies rather than any narrative significance. Collectors building out the full Kang Dynasty arc or the broader Volume 3 run are the primary audience, and the book is best positioned within sets rather than as a standalone highlight.