AVENGERS #126
Steve Englehart and Sal Buscema continue the Kang/Rama-Tut/Immortus revelation arc
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | August 1974 | Bronze | — | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-022243 | ~7.5 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows good gloss and bright colors with sharp corners; a faint vertical crease/impression is visible near the spine but does not appear to break color. Minor edge wear is present along the top and right border, and slight whitening is visible at the top-left corner tip. The book is in a protective sleeve, which limits full assessment of spine stress lines and surface scuffs; interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $4 | |
| MID_RAW | 4.0 – 6.0 | $12 | |
| HIGH_CERT | 9.8 SLAB | $120 |
// Archive commentary
Avengers #126, cover-dated August 1974, falls within Steve Englehart's celebrated run on the title, arriving amid the multi-issue storyline that ties together Kang the Conqueror, Rama-Tut, and Immortus as facets of a single time-displaced identity. Sal Buscema provides pencils, continuing his long stretch as the book's primary artist during this era, with a roster that includes the Vision, Scarlet Witch, Iron Man, Thor, and Captain America navigating the fallout of Kang's temporal machinations. The issue is a middle chapter in an arc prized by longtime Avengers readers for its ambitious continuity work, though it does not itself introduce a character, origin, or death that would elevate it to key status.
Market data shows a healthy certified population exceeding 190 Universal copies, reflecting the issue's availability and steady collector interest rather than scarcity-driven demand. Values climb sharply only at the top of the census, with 9.6 and 9.8 copies commanding a real premium over anything graded 9.4 or below, a pattern typical of well-preserved Bronze Age Marvel books where high-grade survivors are disproportionately scarce relative to raw supply. Demand is driven primarily by Englehart-run completists and Avengers team runs collectors rather than any single first-appearance narrative.
This issue trades as a solid supporting piece within a run rather than a standalone target, appealing most to readers assembling a complete Englehart/Buscema Avengers set or filling gaps around the Kang trilogy. Raw copies in lower and mid grades see modest, steady turnover with limited premium sensitivity, while top-census 9.8 slabs draw stronger competition among condition-focused collectors chasing census-topping examples. Long-term appeal remains tied to the broader esteem for this stretch of Avengers continuity rather than to the issue in isolation.
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