Approximate
Condition Profile
MARVEL COMICS · 3/71
UNIT ECA-009893
AMAZING ADVENTURES #5
Neal Adams and John Buscema art on an Inhumans-and-Black-Widow issue of Amazing Adventures
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | March 1971 | Bronze | — | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-009893 | ~6.5 | — | AVAILABLE |
| ECA-029760 | ~6.5 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows moderate wear typical of a Bronze Age book: mild corner softening at top right and bottom left, a faint vertical crease running through the lower right quadrant, and slight edge wear along the spine with minor color rub at the spine ticks. Colors remain bright with no visible fading or staining, and the book is in a protective sleeve, but the sleeve reflections obscure fine surface detail. Interior pages and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $8 | |
| MID_RAW | 4.0 – 6.0 | $20 | |
| HIGH_CERT | 9.8 SLAB | $240 |
// Archive commentary
Amazing Adventures #5 continues the split-feature format that defined the early run of this Bronze Age title, pairing an Inhumans story drawn by Neal Adams with a Black Widow backup handled by Gene Colan, John Buscema, and Bill Everett, scripted by Roy Thomas. The Inhumans cast — Black Bolt, Medusa, Karnak, Gorgon, and Maximus — carries over from their Fantastic Four origins rather than debuting here, and the issue introduces no new characters of lasting significance; its appeal rests on the caliber of the artists assigned to a second-tier vehicle title rather than on any first appearance.
Market data shows a book with a large certified population (214 census copies across 230 graded) and steady if modest demand: raw and low-grade certified copies trade in the twenty-dollar range through the midgrade tiers, with values climbing sharply only at the top of the curve, where 9.6 and 9.8 slabs command a real premium over 9.4 and below. That premium reflects the difficulty of finding well-preserved copies of a lower-profile early-1970s Marvel title rather than any speculative key-issue demand, and sales volume at the very top of the census (13 recorded 9.8 sales) confirms active collector interest in top-census examples specifically.
This is a book for Bronze Age art collectors and Neal Adams or Inhumans completists rather than speculators chasing a first appearance. Raw and midgrade copies are readily available and inexpensive, making the title an accessible entry point for readers assembling a run; the real action is concentrated at the CGC 9.6-9.8 tier, where scarcity of pristine copies rather than character significance drives the price curve upward.
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