Approximate
Condition Profile
MARVEL COMICS · 12/80 · NEWSSTAND
UNIT ECA-016952
AMAZING ADVENTURES #13
Marvel reprints early Lee-Kirby X-Men adventures featuring Magneto and the Brotherhood of Evil Mutants
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | December 1980 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-016952 | ~8.0 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and vibrant colors with sharp corners overall; a slight vertical crease/wave is visible running through the center of the cover art near the X-Men logo, and there is minor edge wear at the top right corner. The barcode box is intact confirming newsstand edition. No major creases, tears, or color breaks are apparent, though slight spine stress lines may be present near the top staple. Interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $1 | |
| MID_RAW | 4.0 – 6.0 | $5 | |
| HIGH_CERT | 9.8 SLAB | $55 |
// Archive commentary
Amazing Adventures #13 (Marvel, December 1980) belongs to the second volume of the anthology title, which during this period was devoted to reprinting the original Lee-Kirby X-Men stories from the early 1960s. The issue reproduces adventures featuring the original team of Angel, Cyclops, Iceman, and Jean Grey against Magneto and the Brotherhood of Evil Mutants, including Blob, Mastermind, Quicksilver, Scarlet Witch, and Toad. Jack Kirby's pencils and Stan Lee's scripting are the historical draw of the underlying material, with Chic Stone inking and providing the cover, though none of the content is original to this printing.
As a reprint vehicle rather than a source of first appearances, the book carries modest demand and a small certified population, reflected in the limited census and sparse sales activity reported for the title. Pricing across grades is thin, with only a handful of certified sales anchoring the curve; the gap between low and high grades is wide in percentage terms but low in absolute dollars, typical of a Bronze Age newsstand filler book that trades mainly as an affordable way to own early X-Men artwork in reprint form.
The audience for this issue is narrow: X-Men completists building out reprint runs, Kirby/Lee cover collectors on a budget, and dealers filling anthology-title gaps rather than speculators chasing appreciation. Raw copies in low and mid grades move cheaply and infrequently, while a graded 9.8 commands a real premium simply due to scarcity at the top of the census rather than any intrinsic content value. This is a book bought for what it represents historically, not for investment upside.
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