ADVENTURE COMICS #362

Cover shows a prominent vertical crease/stress line running through the upper left corner near the DC logo and along the spine, along with visible spine wear and minor color break at the top edge. There are small tears/creases along the left edge and some surface wrinkling across the lower portion of the cover. Corners show light blunting rather than sharp points. Interior and back cover were not assessed from this photo, and the book is housed in a protective sleeve which may obscure minor edge wear.

Adventure Comics #362 (November 1967) arrived during the run when the Legion of Super-Heroes had fully taken over as the headline feature of DC's veteran anthology title, having displaced Superboy from the lead spot a few years earlier. By this point in the series the Legion strip was being scripted by teenage writing prodigy Jim Shooter, whose tenure on the feature is widely regarded by Silver Age fans as a high point for the team's plotting and characterization, and the covers of this stretch of Adventure Comics were frequently handled by Neal Adams, whose dynamic compositions helped raise the visual profile of the Legion at a moment when the feature was otherwise a mid-list anthology holdover from the 1930s.

Market data for this issue reflects a common, well-populated Silver Age back issue rather than a spotlighted key: verified sales activity clusters in the 9.0 to 9.6 range, where prices climb steeply from roughly seventy dollars to several hundred as grade increases, but there is little to no recorded sales activity in the mid and low grades despite copies existing across the census. This pattern is typical of a title collected primarily by Legion completists and Silver Age DC anthology runs rather than by speculators chasing a single defining appearance, so demand is steady but grade-sensitive, concentrated at the high end of the census where premium, presentable copies are scarce.

The issue suits collectors building a complete run of Legion-era Adventure Comics or assembling a Neal Adams cover collection, rather than buyers seeking a marquee first appearance. Lower and mid-grade raw copies trade as inexpensive reading or filler copies for long-box runs, while the handful of near-mint and gem-quality certified copies command outsized premiums relative to the rest of the curve, driven by low survivorship at the top of the census and continued interest in the Adams cover art of this period.