BATTLESTAR GALACTICA #23

Cover shows strong gloss and sharp corners with no visible creases, tears, or color breaks; spine appears tight with no stress lines visible. There is a faint horizontal line/scuff near the top left corner and slight surface texture visible under raking light, but overall the cover presents very clean. Book is in a protective sleeve which limits full assessment of edges; interior and back cover were not assessed.

Battlestar Galactica #23 closed out Marvel's licensed adaptation of the Glen A. Larson television property, a run that began in 1979 to capitalize on the short-lived but visually ambitious science-fiction series. This final issue is notable chiefly for its creative team: Walter Simonson handled both writing and pencils, with Klaus Janson inking, giving the closing chapter a level of artistic pedigree that exceeds much of the license's earlier output. Louise Jones (later Simonson) and Danny Fingeroth edited, rounding out a stronger-than-average Marvel Bronze Age production team for a licensed title nearing cancellation.

Market data reflects a book with modest overall demand but a distinct high-grade tail. Certified populations show a healthy number of near-mint copies changing hands in the $40 range through 9.2-9.4, with values essentially flat until the 9.8 tier, where sale prices jump substantially. This pattern is typical of licensed and tie-in comics from the period: steady supply of well-preserved copies from the direct market's early speculative buyers, but limited demand outside completists of the Battlestar Galactica license or Simonson/Janson collectors, until only the very finest copies command a premium.

This is a book bought primarily by Simonson completists, Battlestar Galactica media collectors, and Bronze Age licensed-comic specialists rather than mainstream superhero investors. Raw copies in low and mid grades trade cheaply and are easy to source, reflecting ample surviving newsstand supply and limited crossover appeal. The real value is concentrated at the CGC 9.8 tier, where scarcity of true gem-mint survivors and steady interest from Simonson-art collectors sustain a meaningful premium over every grade beneath it.