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Star Trek #13 front cover

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~9.0 AI-Estimated
Approximate
Condition Profile
STAR TREK #13
MARVEL COMICS · 4/81 · NEWSSTAND
UNIT ECA-009485

STAR TREK #13

McCoy's estranged daughter Joanna surfaces amid a Klingon mineral-rights standoff

SIG 2/10 Available

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// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics April 1981 Bronze Newsstand — AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-009485 ~9.0 Newsstand AVAILABLE

// Run position

Part of an unbroken run · #1–#13 · 13 issues View all 13 available issues of STAR TREK →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows strong gloss and sharp corners with no visible creases or color breaks. Slight waviness/texture in the cover surface is visible under lighting, possibly minor handling or light moisture ripple, and there is a faint scratch/press mark near the upper right of the cover. Spine appears tight with no visible stress lines. Book is in a protective sleeve; interior and back cover were not assessed.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $4
MID_RAW 4.0 – 6.0 $12
HIGH_CERT 9.8 SLAB $100

// Archive commentary

Star Trek #13 belongs to Marvel's first ongoing Star Trek series, launched to capitalize on the franchise's early-1980s film-driven resurgence. This issue is notable chiefly for introducing Joanna McCoy, Leonard McCoy's estranged daughter, a character drawn from unproduced original-series story material and later folded into licensed Trek continuity. Pencils are by James Sherman and Joe Brozowski, with a Sherman/Larry Hama cover, under the editorial hand of Louise Jones Simonson and Jim Shooter, both fixtures of Marvel's line at the time.

Market data for this issue is thin, reflecting a title that was never a major sales draw even during its original newsstand run and has not attracted significant back-issue speculation since. The small certified population and limited sales history mean pricing is driven more by general Bronze Age licensed-comic demand than by any first-appearance premium, since Joanna McCoy has not achieved meaningful crossover recognition in other media. What little price movement exists shows a typical steep climb only at the very top of the grading scale, where scarcity of pristine copies outweighs the otherwise modest demand for the issue.

This is a book for Star Trek completists and organized run collectors rather than character-driven speculators. Raw copies in low and mid grades trade cheaply and are readily available, making this an easy fill for a Marvel Star Trek run rather than a standalone target. High-grade certified copies carry a real premium purely on condition scarcity, but the ceiling remains modest compared to genuine Bronze Age keys, and buyers should expect this title to move slowly outside dedicated licensed-comics or Star Trek specialty sales.

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