Approximate
Condition Profile
MARVEL COMICS · 12/67
UNIT ECA-037684
STRANGE TALES #163
Steranko's Nick Fury, Agent of SHIELD, alongside a Doctor Strange tale
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | December 1967 | Silver | — | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-037684 | ~7.0 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss with good color retention on the black background, no major creases visible. There is some minor edge wear and slight corner softness at the top right and bottom right corners. A faint vertical crease/waviness runs through the cover art, possibly from the protective sleeve's reflection or a mild non-color-breaking crease. Spine appears mostly tight with no visible major stress lines from this angle; interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $15 | |
| MID_RAW | 4.0 – 6.0 | $38 | |
| HIGH_CERT | 9.8 SLAB | $1,200 |
// Archive commentary
Strange Tales #163 arrived at the height of the split-book era, pairing a Nick Fury, Agent of SHIELD story rendered by Jim Steranko with a Doctor Strange tale illustrating Marvel's late-1967 shift toward more sophisticated visual storytelling. Steranko's tenure on the Fury feature is widely cited by collectors for its cinematic layouts and design sensibility, and this issue is part of that celebrated run, even though it carries no first appearance or origin of lasting significance. The book's appeal rests on art and era rather than continuity milestones.
Market data shows a broad, well-populated census (218 Universal copies of 272 total graded) with steady sales activity across most grades, indicating consistent collector interest rather than speculative spikes. Values climb gradually through the mid grades before rising sharply above 9.4, reflecting the premium collectors place on pristine examples of Steranko's artwork; the scarcity of 9.6 and 9.8 copies against total print survival drives outsized demand at the top of the grade curve. This is a book that trades in a stable but unspectacular fashion in circulated grades, with the real value concentrated in high-grade certified copies.
The primary buyers for this issue are Silver Age Marvel completists and Steranko-run collectors assembling the Nick Fury sequence, alongside general Strange Tales readers filling out the title. Raw and lower-grade copies move steadily as reading or run-filler copies at modest prices, while high-grade CGC examples command a disproportionate premium reflecting genuine scarcity at the census summit. Given the thin population of true gem-mint copies, a 9.8 example would likely draw active bidding among specialists rather than generalist buyers.
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