Approximate
Condition Profile
MARVEL COMICS · 12/02 · DIRECT EDITION
UNIT ECA-000799
HOWARD THE DUCK #2
Steve Gerber returns to his signature creation for Marvel's mature-readers MAX line, with covers by Glenn Fabry.
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | December 2002 | Modern | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-000799 | ~9.2 | Direct Edition | AVAILABLE |
// Condition analysis
Cover shows strong gloss and vivid color with sharp, unblunted corners and no visible creases or spine stress in this view. No tears, stains, or fading are apparent, and the printed 'Direct Edition' barcode box is clean and undamaged. Interior pages and back cover were not assessed, so grade is capped conservatively pending full inspection.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $3 | |
| MID_RAW | 4.0 – 6.0 | $6 | |
| HIGH_CERT | 9.8 SLAB | $55 |
// Archive commentary
Howard the Duck #2 (MAX, 2002) belongs to the six-issue miniseries that reunited creator Steve Gerber with the character he built, this time under Marvel's mature-readers MAX imprint. Gerber's scripts, illustrated by Phil Winslade with painted covers by Glenn Fabry, revived Howard's absurdist social satire for an adult audience, bringing back mainstay Beverly Switzler and antagonist Doctor Bong alongside newer foils such as Suzi Pazuzu. The series is remembered less for continuity milestones than for its authorial pedigree — a late-career Gerber return that satisfied longtime readers and critics of the character's original 1970s run.
As a market object this is a standard modern-era book: readily available, printed for a niche readership, and priced accordingly. Demand is driven by Gerber completists, Fabry cover collectors, and fans assembling the full MAX run rather than by any single-issue event. Raw copies surface regularly on eBay and dealer sites at pocket-change levels, and the issue rarely appears in certified form because the economics of slabbing a common $2.99 book seldom justify the cost. That scarcity of graded examples, rather than genuine rarity, is what gives high-grade copies any premium.
The collecting outlook is steady but shallow. This is a run-filler that trades briskly in raw mid-grade among readers and Gerber enthusiasts, with the only meaningful upside residing in a clean, high-grade certified copy where supply on the census is genuinely limited. Buyers should approach it as a completist or creator-driven acquisition, not an investment key; the spread between a reading copy and a top-census slab reflects grading scarcity far more than intrinsic significance.
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