WEB OF SPIDER-MAN #67

Cover shows sharp corners and clean, glossy surface with strong color and no visible creases or spine stress lines. Barcode box present confirms newsstand edition; edges appear tight with no chipping visible. The book is protected in a plastic sleeve which limits full assessment of edge wear, and interior/back cover were not assessed.

Web of Spider-Man #67 is a routine but well-populated Copper Age entry in Marvel's second ongoing Spider-Man title, published in August 1990 under the guidance of writers Gerry Conway and Ben Trovato, with pencils by longtime Web of Spider-Man artist Alex Saviuk and inks by Andy Mushynsky. The issue brings together a trio of established Spider-Man rogues, Molten Man, Tombstone, and Hammerhead, alongside supporting cast regulars Harry Osborn, Mary Jane, and Robbie Robertson. No character debuts, deaths, or landmark creative milestones occur in this issue, and it is not cited in standard price guides as a key.

Market data reflects a book with steady but modest collector interest typical of late 1980s to early 1990s Spider-Man spin-off issues produced in large newsstand print runs. The CGC census shows a healthy number of graded copies across the grade spectrum, with recorded sales concentrated at the top end, where a 9.8 has realized $65 and a 9.6 around $55. The near-total absence of transaction data in the low and mid grades indicates that most collector and dealer activity centers on assembling high-grade runs rather than trading well-worn reading copies, which tend to move informally or in bulk lots rather than through certified sales channels.

This issue appeals primarily to Spider-Man villain collectors assembling appearances of Tombstone, Molten Man, or Hammerhead, and to Web of Spider-Man run completists rather than investors chasing a defined key. Raw copies in low and mid grade are inexpensive and widely available, reflecting the book's large surviving population and lack of first-appearance or landmark status. High-grade certified copies command a real but modest premium driven by the relative scarcity of pristine newsstand survivors rather than character or story significance, making this a book that trades steadily at the bottom of the market but sees a clear value curve for top-census examples.