DARK ANGEL #11

Cover shows strong gloss with sharp, unblunted corners and no visible spine stress lines or ticks. Colors appear vivid with no fading, and there are no creases, tears, or stains visible on the front cover. The book is in a protective sleeve which limits full inspection of edges, and the interior and back cover were not assessed, so grade is capped conservatively despite the clean appearance.

Dark Angel #11 continues the "Assassination" arc written by Bernie Jaye, with pencils by Salvador Larroca, inks by David Hine, and a cover by Dell Barras. The title began as Hell's Angel and was renamed from issue six onward following a trademark dispute; by this point Shevaun Haldane's book was fully woven into the Marvel UK line's Mys-Tech continuity, and this installment brings the Psycho-Warriors against her while Wolverine, Psylocke, and the wider X-Men contingent remain in play from the Mys-Tech Wars crossover. The chief historical interest is Larroca's presence: his Marvel UK assignments on this title and Death's Head II are among his earliest published superhero work, several years before the Excalibur and X-Men runs that established him in the American market.

Market-wise this is a bulk-era Marvel UK book with no first appearance or origin content to anchor demand. Copies are widely available in high grade because the print run was recent, distribution was largely direct-market, and the material was rarely read to destruction; dealer inventories routinely carry VG through NM examples at near-cover levels. Price guide services classify the issue as a non-key, and third-party grading is essentially absent, so there is no certified market to reference. What movement exists comes from run collectors filling Hell's Angel/Dark Angel #1-16 and from Larroca completists working backward through his bibliography.

Buyers for this issue are set-builders assembling the complete sixteen-issue Marvel UK run, Mys-Tech Wars crossover collectors, and a thin but persistent group tracking early Larroca art. Across the grade spectrum the book behaves like most early-1990s product: low-grade and mid-grade copies trade interchangeably at near-nominal prices and are most efficiently sold in runs or lots, while the practical value of a high-grade example lies in condition scarcity of presentation rather than genuine rarity. Certification is not economically justified here except as part of a broader Marvel UK submission, and any certified price should be read as a function of slabbing cost rather than collector competition.