DARKHOLD: PAGES FROM THE BOOK OF SINS #7

Cover shows sharp corners, strong glossy surface, and vivid color with no visible fading. No creases, tears, or spine stress are apparent, and the spine appears tight with no color break. Minor handling wear cannot be ruled out given the plastic sleeve glare, and the back cover and interior were not assessed.

Darkhold: Pages from the Book of Sins #7 (March 1993) is part of the Midnight Sons-era expansion of Marvel's horror line, spinning out of the original Darkhold: Montesi Formula miniseries. Written by Christian Cooper with art by Rurik Tyler and Bud LaRosa, the issue continues the ongoing occult plotline centered on Victoria Montesi, Modred the Mystic, and Louise Hastings, with guest appearances from established Marvel mystical figures Doctor Strange, Scarlet Witch, and Agatha Harkness. There is no first appearance, death, or other landmark event in this issue; it functions as a mid-series chapter within a self-contained horror subline that never achieved lasting standalone popularity outside completists of the Midnight Sons imprint.

Market demand is limited and driven almost entirely by Midnight Sons and Doctor Strange/Scarlet Witch supporting-cast collectors rounding out full runs, rather than by any speculative key-issue interest. Newsstand copies of this series were distributed in smaller numbers than the direct-market edition, giving them modest scarcity value at the high end even though the book carries no inherent significance; this scarcity is the primary driver of any premium in top grades rather than character or story importance. Sales volume across all venues is thin and irregular, with long stretches between recorded transactions.

This is a bulk-bin and back-issue-box staple in low to mid grade, typically moving in lots or as fill-in stock for Darkhold and Midnight Sons runs rather than as a standalone purchase. High-grade raw and CGC 9.8 copies attract a narrow band of niche completists and newsstand-variant specialists willing to pay a scarcity premium, but the ceiling remains low relative to the broader early-90s horror-line market, and liquidity at the top end is limited to occasional auction or online marketplace appearances.