IRON MAN #39
Bronze Age Iron Man from the Goodwin/Tuska creative run
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | July 1971 | Bronze | — | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-003031 | ~8.0 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and vibrant color with sharp corners visible at bottom edges; no obvious creases or color breaks along the spine are apparent in this image. There is a small crimp or paper waviness near the upper left near the price box and slight edge wear at the top right corner. The book is in a protective sleeve which limits full assessment of spine stress ticks and back cover condition; interior pages were not assessed. Overall the cover presents as a high-grade copy consistent with careful storage.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $14 | |
| MID_RAW | 4.0 – 6.0 | $29 | |
| HIGH_CERT | 9.8 SLAB | $600 |
// Archive commentary
Iron Man #39 arrived in the summer of 1971 during the celebrated Archie Goodwin and George Tuska stretch of the title, a period widely regarded as one of the strongest sustained creative runs on the character in the Bronze Age. The issue continues the ongoing Stark Industries and armored-adventure plotlines that defined the series' identity after Stan Lee's more direct involvement receded, with Tuska's kinetic layouts and Goodwin's tightly plotted scripts giving the book a distinct visual and narrative character among early-1970s Marvel superhero output.
The market profile reflects a solid but unspectacular mid-run Bronze Age issue: demand is driven by Iron Man ongoing-series completists and Tuska-era art collectors rather than by any first appearance or landmark event, and the FMV curve bears this out with a gentle, steady climb through the mid grades before accelerating sharply near the top of the census. With only three CGC 9.8 candidates on record and no completed sales at that grade, the top of the market remains thin and largely theoretical, while raw copies in low and mid grade trade as inexpensive, plentiful reading and run-filling material.
This is a book bought primarily by Iron Man run collectors assembling complete Bronze Age sets and by admirers of the Goodwin/Tuska creative partnership rather than by speculators chasing a key. Expect brisk, low-cost turnover in low and mid grades, where supply is ample and pricing stable, and a much steeper, thinner market at the CGC 9.8 tier where scarcity of top-census copies could support outsized premiums whenever a slab does surface.
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