Approximate
Condition Profile
MARVEL COMICS · 11/69
UNIT ECA-028383
FANTASTIC FOUR #92
Late Silver Age Fantastic Four by Lee, Kirby, and Sinnott
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | November 1969 | Silver | — | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-028383 | ~7.5 | — | AVAILABLE |
// Run position
// Condition analysis
The cover shows strong gloss and bright inks with sharp corners overall; a small edge nick is visible at the lower left corner and slight whitening along the spine. There is minor waviness at the top edge and a faint crease near the bottom left, but no major tears or color breaks. The book is protected in a plastic sleeve which limits full assessment; interior pages and back cover were not examined.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $12 | |
| MID_RAW | 4.0 – 6.0 | $26 | |
| HIGH_CERT | 9.8 SLAB | $1,200 |
// Archive commentary
Fantastic Four #92 arrived in November 1969 near the close of the Lee-Kirby collaboration on the title, with Joe Sinnott's inks giving the art its polished, definitive look during this stretch of the series. The issue falls within the run's ongoing serialized continuity of the era, contributing to the larger tapestry of cosmic and street-level threats the team faced as Kirby's tenure wound toward its final issues. While it does not carry a marquee first appearance or origin story, it represents the visual and narrative craftsmanship associated with the last handful of Kirby-drawn Fantastic Four issues before his departure from Marvel.
Market data shows a typical long-tail Silver Age distribution: values stay compressed and modest through the low, mid, and high-raw grades, then rise sharply at the top of the census. Demand is driven primarily by Kirby/Sinnott completists and Fantastic Four run collectors rather than key-issue speculation, with sales activity concentrated in the 8.0-9.4 range where most surviving copies cluster. The dramatic price escalation at 9.6 and 9.8 reflects genuine scarcity at the top of the grade curve rather than any landmark content within the issue itself.
This book trades as a solid supporting piece in a complete Fantastic Four run rather than a standalone investment target. Raw copies in low and mid grades are readily available and inexpensive, appealing mostly to readers and run-builders filling gaps in late-1960s Marvel output. High-grade CGC 9.8 copies, by contrast, are genuinely scarce and command outsized premiums from grade-conscious registry collectors, making the top end of the market the only segment where meaningful appreciation potential exists.
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