Approximate
Condition Profile
MARVEL COMICS · 2/73
UNIT ECA-026453
CAPTAIN AMERICA #158
Englehart and Buscema close out the 1950s Captain America imposter saga
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | February 1973 | Bronze | — | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-026453 | ~6.5 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows good gloss and bright color with no major color breaks visible; corners appear reasonably sharp with slight blunting at bottom right. There is minor edge wear along the right and bottom edges and a faint diagonal crease suggestion near the lower spine area. The book is in a protective sleeve which obscures fine surface texture and any spine ticks. Interior and back cover were not assessed, and this cover predates the 1977 direct/newsstand distinction so no edition variant applies.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $12 | |
| MID_RAW | 4.0 – 6.0 | $28 | |
| HIGH_CERT | 9.8 SLAB | $275 |
// Archive commentary
Captain America #158 (February 1973) arrives at the climax of Steve Englehart's opening arc on the title, which had spent the preceding issues unraveling the mystery of a second, unstable Captain America and Bucky operating in the 1950s. Written by Englehart with art by Sal Buscema, the issue resolves the identity of the Golden Age-era impostor Captain America (William Burnside) and reaffirms Steve Rogers as the singular, legitimate hero, a plot thread that set up the show-stopping "Secret Empire" storyline to follow. The Falcon shares billing as Cap's ongoing partner, reflecting the title's early-1970s dual-lead format and its engagement with contemporary social themes.
Market activity for the issue is thin but consistent with a well-collected but non-key Bronze Age chapter: certified sales are sparse across the grade spectrum, and pricing climbs gradually through the mid grades before a pronounced jump into the low-population near-mint and better tiers. Demand is driven almost entirely by Captain America and Falcon completists and by readers assembling the full Englehart run rather than by any first appearance or landmark cover, and the modest sales count at every grade point reflects a book that turns over occasionally rather than one actively chased at auction.
This is a story-driven pickup for run collectors and Bronze Age Marvel specialists rather than a speculative or investment-grade key. Raw copies in low and mid grade trade cheaply and are easy to source, while true high-grade certified copies are scarce enough that a 9.8 would command a real premium over anything currently on record, making the top of the grade curve a matter of patience rather than routine availability.
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