Approximate
Condition Profile
MARVEL COMICS · 4/79 · NEWSSTAND
UNIT ECA-022126
AVENGERS #182
Byrne and Janson art on a mid-run Michelinie Avengers issue featuring Mr. Doll and the false Maximoff parents
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | April 1979 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-022126 | ~8.5 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and bright inks with sharp corners and no visible creases or color breaks. There is minor edge wear at the top and bottom corners and a faint bend near the lower right corner tip. The book is in a protective sleeve, and interior and back cover were not assessed, so grade is based solely on the visible front cover.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $7 | |
| MID_RAW | 4.0 – 6.0 | $22 | |
| HIGH_CERT | 9.8 SLAB | $120 |
// Archive commentary
Avengers #182 arrived during David Michelinie's run as writer, with pencils by John Byrne and inks by Klaus Janson, an art pairing whose collaborations on other Marvel titles of the era have drawn lasting collector attention even when the storylines themselves are secondary. The issue's plot, involving Mr. Doll and the false Maximoff parents, is a self-contained Avengers subplot rather than a foundational Marvel Universe event, and it introduces no characters of lasting significance. Its roster includes Beast, Captain America, Iron Man, Hawkeye, Hank Pym, and Jocasta, reflecting the team's late-1970s lineup during a transitional period for the title.
The market for this issue is typical of a well-collected but non-key Bronze Age Avengers number: census population is substantial across the grading spectrum, with the bulk of certified copies concentrated in the higher grades, and sales activity is thin but steady at nearly every point on the curve. Pricing stays flat and modest through the mid grades before rising sharply only at the 9.6 and 9.8 tiers, a pattern consistent with a common, easily-found back-issue whose value is driven almost entirely by condition scarcity rather than character or story demand. The Byrne/Janson art team provides a mild secondary draw that likely explains the healthy sales volume at the top of the census despite the absence of any first appearance or landmark event.
This is a book bought primarily by Avengers run collectors and Bronze Age art enthusiasts assembling complete Byrne or Janson bibliographies rather than speculative investors. Raw copies in low and mid grade trade as inexpensive fillers, with price differences between those tiers modest given the shallow curve through grade 6.5. Values only become meaningful at the gem-mint end, where population thins relative to demand and CGC 9.8 examples command a clear premium over anything below near-mint-plus condition.
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