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DC Comics Presents Annual #2 front cover
~9.0 AI-Estimated
Approximate
Condition Profile
DC COMICS PRESENTS ANNUAL #2
DC COMICS · 1/83 · NEWSSTAND
UNIT ECA-002031

DC COMICS PRESENTS ANNUAL #2

First comic-book appearance of Superwoman (Kristin Wells), in a 52-page Superman annual with a Gil Kane cover

Key Issue SIG 4/10 Available

// Unit specification

PublisherCover dateEraVariantKey attributeStatus
DC Comics 1983 Bronze Newsstand 1st comic-book appearance of Superwoman (Kristin Wells), following her 1981 prose debut in Superman: Miracle Monday; 1st appearance of King Kosmos; Gil Kane cover AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-002031 ~9.0 Newsstand AVAILABLE

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows strong gloss and vivid color with sharp corners visible in this photo; no obvious creases, tears, or spine stress lines are apparent. The book is in a protective sleeve which limits full assessment of edge wear and surface scuffing, and a small glare reflection appears on the right side. Interior pages and back cover were not assessed, so grade is based solely on the visible front cover.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $2
MID_RAW 4.0 – 6.0 $6
HIGH_CERT 9.8 SLAB $60

// Archive commentary

DC Comics Presents Annual #2 is a 1983 Superman-family annual notable chiefly for introducing Superwoman, the 29th-century time traveler Kristin Wells, into comic-book continuity; the character had first appeared in prose form in Elliot S! Maggin's 1981 novel Superman: Miracle Monday, and this annual, also written by Maggin, marks her transition to the four-color page. The issue also debuts the villain King Kosmos and carries a Gil Kane cover, with interior art split between Kane and Keith Pollard under inks by Mike DeCarlo and Tod Smith. Editorial oversight from Julius Schwartz and E. Nelson Bridwell situates the book firmly within the era's tightly continuity-conscious Superman office output.

Market data shows a thin but stable collector base: certified sales are sparse across nearly every grade, and pricing is compressed, with only a modest gap separating mid-grade certified copies from a 9.8. This flat curve is typical of a Bronze Age annual that was never a major newsstand draw and has not been the subject of speculative grading runs; demand is driven almost entirely by Superman-character completists and by the narrow niche of collectors tracking female-legacy-character first appearances rather than by broad crossover interest.

The book suits buyers building out Superman family or Elliot S! Maggin bibliographies, and those chasing lesser-known DC first appearances at accessible price points. Raw copies in low and mid grade remain inexpensive and plentiful, reflecting the annual's large Bronze Age print run, while certified high-grade copies command a real but modest premium tied to the scarcity of pristine survivors rather than to broad market heat. It is a book that trades steadily rather than spikes, with value concentrated at the top of the grading scale.

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