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Marvel Tales #145 front cover

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~8.5 AI-Estimated
Approximate
Condition Profile
MARVEL TALES #145
MARVEL COMICS · 11/82 · NEWSSTAND
UNIT ECA-017291

MARVEL TALES #145

Marvel Tales #145 reprints Amazing Spider-Man #8, featuring the Living Brain and Steve Ditko's original art

SIG 2/10 Available

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// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics November 1982 Bronze Newsstand — AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-017291 ~8.5 Newsstand AVAILABLE

// Run position

Part of an unbroken run · #145–#148 · 4 issues View all 69 available issues of MARVEL TALES →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows strong gloss with only minor surface wear; corners appear sharp with slight blunting at bottom right. There is a faint vertical crease/waviness visible near the upper right of the cover and light handling wear along the spine, but no major creases, tears, or color breaks are evident. Barcode box confirms newsstand edition. Interior and back cover were not assessed, so grade is based solely on the visible front cover.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $6
MID_RAW 4.0 – 6.0 $16
HIGH_CERT 9.8 SLAB $175

// Archive commentary

Marvel Tales #145, cover-dated November 1982, is a direct reprint of Amazing Spider-Man #8 (1964), one of the earliest issues of the flagship Spider-Man title. The original story introduced the Living Brain, a lumbering robotic antagonist built for a high school science demonstration that malfunctions and rampages through Midtown High, and features an early crossover cameo from the Fantastic Four. The artwork is by Steve Ditko, working during his formative run defining Spider-Man's visual language, and the issue also carries forward supporting cast members Flash Thompson and Liz Allan from Peter Parker's high school years.

As a reprint vehicle, Marvel Tales #145 has no first-appearance or origin significance of its own; its market value is driven almost entirely by nostalgia for the underlying Ditko story rather than by any standing as a key issue. The certified population is small and thinly traded across most grades, with only a handful of recorded sales scattered from grade 5 up through 9.4, and no completed 9.8 transaction despite a few copies existing at the top of the census. This sparse sales record keeps pricing modest and somewhat volatile at the high end, where a single transaction can meaningfully move the perceived value.

This is an entry-level or filler book for most collections: affordable in raw grades for readers assembling early Spider-Man and Fantastic Four crossover material without paying original Silver Age prices, and a minor curiosity for Ditko completists. Demand is steady but unspectacular across low and mid grades, while high-grade 9.8 slabs, being genuinely scarce on the census, will draw a small premium from condition-sensitive Bronze Age reprint collectors and registry builders rather than from key-issue investors.

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