Approximate
Condition Profile
MARVEL COMICS · 10/79 · NEWSSTAND
UNIT ECA-017201
MARVEL TALES #108
Marvel Tales #108 reprints Spider-Man's early-1970s battle with Doctor Octopus and the debut-era Hammerhead storyline
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | October 1979 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-017201 | ~8.0 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss with vivid colors and sharp corners overall; minor wear is visible at the top edge and a few faint stress lines near the top right corner. There is a small vertical crease/glare line running through the upper right logo area and slight surface scuffing near the bottom left barcode box. No major creases, tears, or color breaks are evident, though the book is in a protective sleeve which may obscure fine surface detail. Interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $6 | |
| HIGH_CERT | 9.8 SLAB | $85 |
// Archive commentary
Marvel Tales was Marvel's long-running anthology reprint title, recycling Amazing Spider-Man issues for a newsstand audience at a discount to back-issue prices. Issue #108, cover-dated October 1979, reprints material from the early-1970s Spider-Man run written by Gerry Conway with art by Ross Andru and Jim Mooney, spotlighting the Kingpin-era mob storyline that introduced Hammerhead alongside a return engagement from Doctor Octopus. The supporting cast of the period is present in force, including Aunt May, Betty Brant, Mary Jane Watson, J. Jonah Jameson, and Robbie Robertson, reflecting the soap-opera texture that distinguished the Conway years on the title.
As a reprint issue deep into Marvel Tales' second decade, #108 carries none of the first-appearance weight of the original Amazing Spider-Man issues it draws from; Hammerhead's actual debut and the Doc Ock story arc are the collectible originals, not this digest. Demand for this specific issue is limited to Spider-Man reprint-run completists and readers assembling a full run of the title rather than speculators chasing character milestones, and pricing reflects that: it trades close to cover price in worn condition and only modestly above that in nicer raw grades. High-grade certified copies see occasional interest from registry-set builders working through Marvel Tales numerically, but such copies are scarce to the market simply because few were preserved rather than because of any inherent scarcity in print numbers.
This is a book for series completists, Spider-Man reprint historians, and dealers filling out bronze-age long boxes rather than a piece with independent key-issue demand. It moves steadily but unremarkably in low and mid grade, and a slabbed 9.8 example would be a novelty for a registry set rather than a market event. Collectors interested in the Hammerhead/Doc Ock storyline itself are better served chasing the original Amazing Spider-Man issues; this title functions as an affordable way to read that story rather than to own a piece of publishing history.
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