Approximate
Condition Profile
MARVEL COMICS · 4/00 · DIRECT EDITION
UNIT ECA-014909
FANTASTIC FOUR #28
Claremont and Larroca-era Fantastic Four, a standard direct-edition issue from the volume 3 run
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | April 2000 | Modern | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-014909 | ~9.2 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover shows sharp corners, clean glossy surface, and no visible spine stress or ticks; colors appear bright and unfaded. A faint diagonal crease/reflection line near the lower left may just be plastic sleeve glare rather than an actual defect, but it should be checked in hand. The book is in a protective sleeve, and only the front cover was assessed—interior pages and back cover condition are unknown.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $55 |
// Archive commentary
Fantastic Four #28 (Volume 3) arrived in April 2000 during the extended Chris Claremont and Salvador Larroca run on the title, a period that followed the Lobdell and Alan Davis relaunch and carried the team through a lengthy stretch of world-hopping adventures. By this point in the series, Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm were well established in their volume 3 incarnation, with the book continuing Marvel's efforts to keep the flagship team relevant amid the company's late-1990s creative shake-ups. The issue is a mid-run chapter rather than a jumping-on point, contributing to the ongoing plotlines Claremont was developing rather than introducing new characters or concepts.
As a direct-market edition from a lengthy, well-distributed Modern Age run, this issue was printed in substantial quantities and has never carried meaningful scarcity in the back-issue market. It lacks a first appearance, death, or other landmark event that typically drives demand beyond ordinary reader interest, and its cover does not rank among the artistically significant images collectors specifically chase. Its market presence has always tracked near cover price, reflecting steady but unremarkable supply and demand.
This is a book for Fantastic Four completists filling out their Claremont/Larroca-era runs or readers wanting to experience that particular creative stretch, rather than a speculative or investment-grade acquisition. Raw copies in any reading condition are easy to source cheaply, and even top-graded slabs command only modest premiums reflecting certification and preservation rather than underlying scarcity or character significance. It trades as a common modern-era issue across all grades.
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