Approximate
Condition Profile
MARVEL COMICS · 1/96 · DIRECT EDITION
UNIT ECA-014204
FANTASTIC FOUR #408
Tom DeFalco and Paul Ryan's Fantastic Four amid the pre-Onslaught buildup
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | January 1996 | Modern | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-014204 | ~9.2 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and sharp corners with no visible creases, tears, or color breaking. Spine appears tight with no stress lines visible in this view. There is a small bend or waviness near the top edge of the cover and slight edge wear may be present but is hard to confirm due to the protective sleeve and glare. Interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $1 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $36 |
// Archive commentary
Fantastic Four #408 arrived in January 1996 during Tom DeFalco's extended run as writer, with Paul Ryan providing pencils and cover art as the series moved toward the company-wide Onslaught crossover later that year. The issue is part of a transitional stretch for Marvel's First Family, featuring the core team of Mister Fantastic, Invisible Woman, Human Torch, and the Thing navigating threats that set up the larger event storyline to come. It does not carry a first appearance, origin, or any other milestone that price guides or collector consensus recognize as a key moment in the character's or team's publishing history.
Market activity for the issue is thin, consistent with its status as a mid-1990s direct-market comic produced in high print runs with limited collector demand outside completists of the DeFalco/Ryan era or dedicated Fantastic Four run-builders. Certified population remains small across nearly all grades, and sales records are sparse even at the top of the census, reflecting a book that rarely commands attention at auction or in slabbed form. Pricing sits at the modest end typical of unremarkable 1990s superhero output, with raw copies moving cheaply in bulk lots and dealer bins.
Collecting interest in this issue is narrow: primarily readers assembling a complete run of Fantastic Four or specialists tracking the lead-up to Onslaught. Across grades, the book trades as a low-cost filler title rather than a sought-after certified asset, with even top-grade slabs commanding only modest premiums due to limited demand rather than genuine scarcity. It is best suited for run collectors and dealers stocking complete-series sets rather than buyers seeking investment-grade key issues.
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