Approximate
Condition Profile
MARVEL COMICS · 6/87 · NEWSSTAND
UNIT ECA-013909
THE UNCANNY X-MEN #218
Uncanny X-Men #218 – Claremont/Silvestri era newsstand issue from the lead-up to Fall of the Mutants
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | June 1987 | Copper | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-013909 | ~9.0 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and sharp corners with no visible creases or spine stress lines in this photo; the book is preserved in a protective sleeve which limits full inspection. Colors appear bright and unfaded, with clean edges and no chips noted. Minor glare from the protective sleeve slightly obscures fine surface detail, and the interior/back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $4 | |
| MID_RAW | 4.0 – 6.0 | $8 | |
| HIGH_CERT | 9.8 SLAB | $150 |
// Archive commentary
Uncanny X-Men #218 arrived in mid-1987 as part of Chris Claremont's long, dense run on the title, drawn by Marc Silvestri during his stretch as the book's primary penciler following Barry Windsor-Smith's brief interlude. The issue falls in the period between the Mutant Massacre aftermath and the arrival of Longshot as a recurring cast member, with the roster centered on Storm, Wolverine, Rogue, Colossus, Dazzler, and Psylocke. It is a connective-tissue chapter rather than a landmark one: no first appearances, deaths, or creator milestones are attached to it, and it is not cited in price guides as a notable cover.
Market activity reflects that status. Sales data across the certified population is sparse and clustered in the low double digits for most grades, with only a modest premium appearing at the top of the census; the sole recorded 9.8 sale reached triple digits, but the sample size is too small to establish a firm curve. Demand is driven almost entirely by X-Men completists working through Claremont's run and by CGC label collectors chasing high-grade Copper Age newsstand copies, rather than by any character or story significance.
This is a book that trades as bulk-bin material in low and mid grades, picked up cheaply by readers filling gaps in a long-box run, while pristine slabbed copies attract a narrow band of high-grade specialists willing to pay for census rarity rather than content. It is not a book auction houses will feature on its own merits, and its value ceiling is set almost entirely by grade scarcity rather than collector demand for the story or artwork.
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