Approximate
Condition Profile
MARVEL COMICS · 7/85 · DIRECT EDITION
UNIT ECA-013838
THE UNCANNY X-MEN #195
Claremont/Romita Jr. era X-Men adventure from the mid-1980s direct market run
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | July 1985 | Copper | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-013838 | ~9.2 | Direct Edition | AVAILABLE |
| ECA-013840 | ~9.0 | Direct Edition | AVAILABLE |
| ECA-013842 | ~9.0 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss retention and vibrant color with sharp, well-defined corners and clean edges. No visible creases, spine stress lines, or color breaking along the spine in this image. A faint bit of surface sheen/glare is present but does not appear to indicate damage; interior pages and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $1 | |
| MID_RAW | 4.0 – 6.0 | $6 | |
| HIGH_CERT | 9.8 SLAB | $110 |
// Archive commentary
Uncanny X-Men #195 arrived in July 1985 during Chris Claremont's long, defining tenure as writer, with art by John Romita Jr. and inks by Dan Green. The issue falls within the mid-1980s stretch of the series that followed Storm's depowering and preceded the Mutant Massacre, a period when the X-Men roster included Wolverine, Rogue, Nightcrawler, Kitty Pryde, and Colossus alongside Storm and Cyclops. It is a solid entry in a celebrated creative run but does not carry a first appearance, origin story, or other landmark distinction that would elevate it to key status.
Market data reflects its status as a plentiful, well-collected but non-key Copper Age issue. Certified population is substantial, with hundreds of universal copies graded, and pricing across grades 8.5 through 9.4 sits on a flat plateau before stepping up meaningfully at 9.6 and again at 9.8, where recent sales activity and averages point to active, if modest, demand at the top of the census. This pattern is typical of direct-market X-Men issues from this era: broad supply keeps mid-grade values subdued while pristine, top-census copies draw a disproportionate premium from completists chasing high-grade registry sets.
This is a book bought primarily by X-Men run collectors filling out the Claremont/Romita Jr. sequence and by registry-minded buyers targeting 9.8 census slots rather than speculators chasing a key. Raw copies in low and mid grades trade cheaply and are readily available, while certified 9.8s command a real premium relative to the rest of the grade curve, reflecting the difficulty of finding condition-census copies of a mass-produced mid-1980s title rather than any narrative significance.
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