Approximate
Condition Profile
MARVEL COMICS · 4/66
UNIT ECA-013609
TALES OF SUSPENSE #76
Iron Man battles Titanium Man as the Cap/Iron Man split-book format continues
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | April 1966 | Silver | — | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-013609 | ~5.0 | — | AVAILABLE |
// Run position
// Condition analysis
This pre-1977 book has a single edition, so no direct/newsstand distinction applies. Visible defects include a vertical crease running through the upper logo box, moderate corner wear at the top corners, and general surface wear consistent with handling; colors remain bright with no major fading. Spine appears to have some stress but no major color breaks are visible in this photo. Interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $18 | |
| MID_RAW | 4.0 – 6.0 | $48 | |
| HIGH_CERT | 9.8 SLAB | $1,100 |
// Archive commentary
Tales of Suspense #76 arrived during the dual-feature era of the title, pairing a Captain America adventure with an ongoing Iron Man story arc pitting Tony Stark against the Soviet-created Titanium Man, a storyline that ran across several consecutive issues beginning with #75. Stan Lee scripted both features, with Jack Kirby providing layouts and cover work for the Captain America side and Don Heck handling the Iron Man art, reflecting Marvel's mid-1960s production model of alternating and shared art teams across its split anthology titles. The issue is representative of the title's mid-run output rather than a landmark chapter: no first appearances, deaths, or origin material occur here, and its interest lies in the ongoing Titanium Man conflict and typical Kirby/Heck era art rather than any singular historic event.
Market data shows a broad, well-populated census with steady sales activity across nearly every grade tier, indicating this is a book collectors pursue as part of complete Tales of Suspense or Iron Man/Captain America runs rather than as a standalone target. Values climb gradually through the mid grades before rising sharply at the top of the census, a pattern typical of Silver Age Marvel books where high-grade survivors are scarce relative to demand from run collectors and character completists. The thin sales record at 9.8 suggests that top-tier copies trade infrequently and command outsized premiums when they do appear.
This issue trades as a solid but unspectacular piece of a Silver Age Marvel collection, most attractive to those building complete Tales of Suspense sets or assembling early Iron Man and Captain America material. Lower and mid-grade copies remain affordable and readily available given the large certified population, while high-grade and especially 9.8 copies see disproportionate premiums driven by census scarcity rather than narrative importance. Expect steady, unspectacular appreciation in step with broader Silver Age Marvel demand.
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