Approximate
Condition Profile
MARVEL COMICS · 5/84 · NEWSSTAND
UNIT ECA-013500
CAPTAIN AMERICA #293
Captain America battles on in the Bloodstone Hunt storyline, DeMatteis and Zeck at the helm
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | May 1984 | Copper | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-013500 | ~8.5 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and vibrant colors with sharp corners overall. Slight whitening/wear visible at the bottom left corner tip and minor edge softness along the bottom edge. No major creases, tears, or color breaks are visible in this photo; spine appears tight with no visible stress lines. Book is in a protective sleeve, and interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $60 |
// Archive commentary
Captain America #293, cover-dated May 1984, is a mid-run chapter from the acclaimed J.M. DeMatteis/Mike Zeck creative partnership that defined the title through the early-to-mid 1980s. The issue falls within the multi-part "Bloodstone Hunt" storyline, which sent Captain America across the globe in pursuit of the mystical Bloodstone gems while contending with old adversaries and shifting personal relationships, including his complicated history with Sharon Carter. Zeck's pencils, inked in the period's house style, gave the series a cinematic, tightly plotted look that critics and readers of the era praised, and DeMatteis's scripting leaned into psychological depth for both hero and villains.
As a comic, #293 sits comfortably within a long, well-regarded creative run rather than at any origin point or landmark moment for the character. It contains no first appearance, death, or other event that price guides or grading population reports single out, and the absence of a published fair-market value in standard references reflects that ordinary status: the issue trades near cover price in raw grades and only modestly above that in top certified condition. Demand is driven less by the issue number itself and more by general collector interest in the DeMatteis/Zeck Captain America run as a unit.
This is a book most likely to interest readers assembling a complete run of the DeMatteis/Zeck years, Captain America completists, or newsstand-format collectors, rather than key-issue investors. Raw copies in the wild are inexpensive and plentiful, mid-grade examples move steadily but without urgency, and a certified 9.8 commands a modest premium purely for condition scarcity rather than content. It is a solid, representative piece of mainstream 1980s Marvel storytelling, valuable to a run but not to a portfolio.
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