Approximate
Condition Profile
DC COMICS (VERTIGO) · 9/97 · DIRECT EDITION
UNIT ECA-013261
WEIRD WAR TALES #4
Vertigo's late-1990s war-horror anthology revival, direct edition
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| DC Comics (Vertigo) | September 1997 | Modern | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-013261 | ~9.4 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover shows sharp, unblunted corners and clean, glossy surface with no visible creases, folds, or color breaks along the spine. The barcode area shows the 'Direct Sales' logo box rather than a scannable UPC, confirming direct edition. Slight possible edge wear cannot be ruled out due to the protective sleeve reflection, and interior/back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $55 |
// Archive commentary
Weird War Tales #4 belongs to the short-lived 1997 Vertigo revival of DC's classic war-horror anthology line, itself a spiritual successor to the original 1971-1983 series that ran alongside titles like The Unknown Soldier and G.I. Combat. This second volume adopted Vertigo's mature-readers sensibility, pairing wartime settings with supernatural and psychological horror in the anthology tradition, rather than continuing any ongoing superhero or team narrative. As an anthology format, the book does not center on a recurring headline character, instead relying on rotating creative teams delivering self-contained short stories.
The series drew little sustained collector attention on release and has not developed a secondary-market following in the decades since; the absence of any published fair-market valuation for this issue reflects that lack of demand rather than any error in cataloging. It is a title collected primarily by readers assembling a complete run of the Vertigo Weird War Tales revival or by war-comics specialists rounding out the imprint's less-remembered corners, rather than by speculative key-issue buyers.
Copies trade close to cover price in raw form across most grades, with only high-grade certified examples commanding a modest premium owing to low submission volume rather than any inherent scarcity of the print run. This is a book for completists and genre collectors rather than investment-driven buyers, and pricing across the grade spectrum should be expected to stay modest and largely flat.
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