WONDER WOMAN #145

Silver Age Wonder Woman with moderate wear: corners show blunting and slight rounding, particularly the top left and bottom right; there is noticeable edge wear along the top and right edges with small chips; a vertical crease is visible near the left spine area and some minor surface scuffing/soiling is present across the yellow background. Color appears bright with no major fading, and no tape or writing is visible on the cover, but the book is in a plastic sleeve which limits full inspection of edges. Interior and back cover were not assessed.

Wonder Woman #145 (April 1964) belongs to the celebrated run of "Impossible Tales" scripted by Robert Kanigher and illustrated by the longtime Wonder Woman art team of Ross Andru and Mike Esposito. These stories placed the adult Wonder Woman alongside her younger selves, Wonder Girl and Wonder Tot, in whimsical adventures framed as family fantasies conjured by Queen Hippolyta. The issue is representative of the era's house style rather than a landmark of continuity: it contains no first appearance, origin, or death, and its interest rests on creator pedigree and genre charm rather than any key event.

Market data reflects a book with steady but modest collector demand. Certified sales cluster in the mid grades, with values holding near $95-100 through the 5.0-6.5 range before rising to $140-260 as grade climbs toward 9.4, the highest tier with a recorded fair market value. Census population is thin at the top end, with only a handful of copies reported at 9.6 and 9.8 and no stabilized pricing yet established for those tiers, indicating that top-grade examples trade infrequently and command outsized premiums when they do surface.

This is a book for Silver Age DC completists and Wonder Woman specialists building a Kanigher/Andru run rather than a speculative or crossover audience. Raw copies in lower grades move as inexpensive reading or filler pieces, mid-grade examples see routine turnover among series collectors, and pristine certified copies are scarce enough that pricing at the top of the census is driven more by rarity than by broad demand.