Approximate
Condition Profile
DC COMICS · 8/91
UNIT ECA-012694
DEATHSTROKE THE TERMINATOR #1
Launch of Deathstroke's own ongoing series by Marv Wolfman and Steve Erwin
// Unit specification
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-012694 | ~9.0 | — | AVAILABLE |
// Condition analysis
Cover shows strong gloss and vibrant color with sharp corners and no visible creasing or spine stress. There is a small dark mark/indentation near the left edge of the spine area partway down, and slight softness at the bottom left corner, which keep this from a higher grade. The book is bagged, limiting close inspection, and interior pages and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $1 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $44 |
// Archive commentary
Deathstroke the Terminator #1 (August 1991) kicked off the mercenary antihero's first solo ongoing series, following his popularity as a recurring antagonist and occasional ally in The New Teen Titans. Writer Marv Wolfman, who co-created Slade Wilson with George Perez in New Teen Titans #2 (1980), returned to the character here with artist Steve Erwin, giving Deathstroke a harder-edged, more mercenary-for-hire tone distinct from his Titans-era appearances. The issue is not a first appearance or origin story but marks the character's graduation to headline status, a notable but secondary milestone in his publication history.
Market data shows a large certified population (759 Universal copies out of 989 total graded, with 291 sales recorded at 9.8 alone), reflecting the heavy speculator-driven print runs typical of 1991 Copper Age output. Pricing stays flat and modest through the mid grades, with FMVs of $18-$24 spanning 8.5 through 9.2, before climbing more steeply at 9.6 ($38) and 9.8 ($44); recent 1-year averages at the top grades ($72 at 9.8, $47 at 9.6) suggest periodic demand spikes above current FMV, likely tied to character-driven interest from the Deathstroke's ongoing media and game presence rather than any change in the book's historical importance.
This is a book bought primarily by Deathstroke and Teen Titans-adjacent character collectors filling out runs, rather than key-issue investors. Raw copies in low and mid grades are inexpensive and plentiful, reflecting the print run and low collector urgency below near-mint. High-grade 9.8 slabs carry a real premium due to the difficulty of finding pristine copies of a glossy, mass-produced early-90s cover stock, and that premium is the primary driver of any meaningful return in this title.
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