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Iron Man #46 front cover

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~9.4 AI-Estimated
Approximate
Condition Profile
IRON MAN #46
MARVEL COMICS · 11/01
UNIT ECA-006519

IRON MAN #46

Bronze Age Iron Man from the Gary Friedrich/George Tuska run, Gil Kane and Ralph Reese cover

SIG 2/10 Available

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// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics November 2001 Modern — — AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-006519 ~9.4 — AVAILABLE

// Run position

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows sharp corners, strong gloss, and clean bright colors with no visible spine ticks, creases, or color breaks. Edges appear clean without chipping. The book is sealed in a protective sleeve which limits full assessment of edge and surface detail, and interior/back cover were not assessed. Based on visible surface quality this appears to be a high-grade near-mint copy.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal · no market comps found — era-based estimate
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $2
MID_RAW 4.0 – 6.0 $4
HIGH_CERT 9.8 SLAB $55

// Archive commentary

This issue falls within the Gary Friedrich/George Tuska stretch of Iron Man's early-1970s run, inked by John Verpoorten with a cover by Gil Kane and Ralph Reese. The story features Tony Stark's supporting circle of the period, including Marianne Rodgers, Kevin O'Brien, and Simon Gilbert, in a chapter of the ongoing soap-opera plotting and villain-of-the-month structure typical of the title at this stage of its Bronze Age life. It sits well past the character's 1963 debut and origin, in a middle stretch of the numbering with no first appearances, deaths, or landmark creative shifts attached to it.

As a mid-run issue from a long, still-actively-collected Marvel Silver-to-Bronze Age title, it is bought primarily by Iron Man completists and Bronze Age Marvel readers assembling the Friedrich/Tuska issues rather than by speculators chasing a key moment. The Gil Kane cover adds modest aesthetic interest, but Kane's Iron Man work from this period is plentiful and not singled out in price guides the way his Green Lantern or Spider-Man covers are. Demand is steady rather than active, and the book is not tied to any character or event that has driven recent secondary-market attention.

This is a book that trades as a reading and run-filling copy: inexpensive in low grade, modestly priced in mid-grade, and only reaching stronger money as a high-grade certified slab aimed at Iron Man run collectors or Kane cover collectors rounding out a Bronze Age set. It is not a book pursued for investment purposes, and copies are generally plentiful in the back-issue market at prices reflecting common Bronze Age Marvel supply rather than scarcity.

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