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Peter Parker, The Spectacular Spider-Man #119 front cover
~9.2 AI-Estimated
Approximate
Condition Profile
PETER PARKER, THE SPECTACULAR SPIDER-MAN #119
MARVEL COMICS · 10/86 · DIRECT EDITION
UNIT ECA-011814

PETER PARKER, THE SPECTACULAR SPIDER-MAN #119

Peter David scripting the wall-crawler's solo title with Sal Buscema on art, mid-1980s direct edition

SIG 2/10 Available

// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics October 1986 Copper Direct Edition AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-011814 ~9.2 Direct Edition AVAILABLE

// Run position

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows sharp corners, strong gloss, and bright unfaded colors with no visible spine ticks or stress lines. The book is protected in a plastic sleeve, and no creases, tears, or color breaks are apparent in this photo. Interior pages and back cover were not assessed, so the grade is based solely on the visible front cover.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $2
MID_RAW 4.0 – 6.0 $6
HIGH_CERT 9.8 SLAB $65

// Archive commentary

Peter Parker, The Spectacular Spider-Man #119 arrived in October 1986 during a period when the title was finding its voice under writer Peter David, who had taken over scripting duties a year earlier and would remain attached to the book for well over a decade. Sal Buscema, the definitive Spider-Man artist of the era, handled the pencils, lending the issue the same kinetic, workmanlike style that defined his decade-plus tenure across the Spider-Man line. The issue is a standard entry in the ongoing solo Spider-Man continuity of the mid-1980s, without a first appearance, death, or other landmark event that would elevate it beyond its place as a solid installment in a well-regarded creative run.

Market data reflects a common, plentiful Copper Age comic: the CGC census shows well over a hundred certified copies with a broad distribution across grades, and the FMV curve stays modest until the top of the grade scale, where 9.8 copies have fetched around $65 with a one-year average closer to $48. Demand is driven almost entirely by Spider-Man collectors assembling complete Spectacular runs or seeking clean, high-grade Sal Buscema art rather than by any speculative key-issue premium, and the thin sales activity at low and mid grades points to a book that circulates mostly as bulk-box or long-box filler rather than a standalone investment piece.

This issue suits completists building a full Peter Parker, The Spectacular Spider-Man run or Sal Buscema/Peter David fans rather than key-issue speculators. Raw copies in lower and mid grades trade cheaply and are readily available, while the CGC 9.8 population, though not enormous, is large enough to keep top-grade prices restrained; collectors should expect steady, unspectacular appreciation tied to overall Spider-Man collecting interest rather than any breakout demand.

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