THE SPECTACULAR SPIDER-MAN #111

Cover shows strong gloss and bright, unfaded colors with sharp corners and a tight spine with no visible ticks or stress lines. Slight edge wear is possible at the extreme corners but not clearly visible under the protective sleeve's glare. No creases, tears, or color breaks are apparent on the front cover. Interior and back cover were not assessed, so grade may adjust once fully examined.

The Spectacular Spider-Man #111, cover-dated February 1986, arrived in the immediate wake of "The Death of Jean DeWolff," the acclaimed four-part storyline that Peter David and penciler Rich Buckler had just concluded in the preceding issues. Written by David with art from Buckler, this issue serves as a quieter coda to that arc, dealing with the emotional and moral fallout for Spider-Man and Daredevil rather than introducing new villains or characters. It sits within a run widely remembered for elevating the character work in the Spider-Man titles during the mid-1980s, even though this particular chapter functions more as connective tissue than as a landmark chapter in its own right.

As a direct market matter, the issue carries no published fair-market value from standard pricing references, which reflects its status as a common, easily found Copper Age comic rather than a sought-after single issue. It was not a first appearance, death, or origin issue, and it does not carry the standalone recognition of the four-parter that preceded it. Whatever collector interest exists is tied mostly to its proximity to the Jean DeWolff storyline and to lingering interest in early Peter David scripting on Spider-Man, rather than to any distinct hook within issue #111 itself.

This is a reader and completist book: appropriate for those assembling a full run of Spectacular Spider-Man or the David/Buckler stretch of issues, and unlikely to draw investment-driven demand on its own. Raw copies in any condition remain inexpensive and plentiful, with graded submissions being a matter of run-completion rather than speculation; even top-grade slabs are priced modestly relative to true keys of the era, tracking more with general Copper Age Spider-Man demand than with any special significance attached to this specific number.