Approximate
Condition Profile
MARVEL COMICS · 6/85 · DIRECT EDITION
UNIT ECA-011757
PETER PARKER, THE SPECTACULAR SPIDER-MAN #103
Peter David's early scripting run on the Spider-Man title before the Death of Jean DeWolff arc
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | June 1985 | Copper | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-011757 | ~9.2 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and vibrant color with sharp corners and no visible creases or spine stress lines. The Spider-Man head direct-edition logo box is present in place of a barcode, and edges appear clean with only the faintest handling wear at the lower corners. The book is housed in a protective sleeve, which limits full assessment of edge and spine detail; interior pages and back cover were not evaluated.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $5 | |
| HIGH_CERT | 9.8 SLAB | $70 |
// Archive commentary
Peter Parker, The Spectacular Spider-Man #103 arrived in June 1985 as part of Marvel's second ongoing Spider-Man title, positioned in the run shortly before writer Peter David's celebrated "Death of Jean DeWolff" storyline that would follow a few issues later. The book itself is a transitional, character-driven issue rather than a first appearance or landmark event, but it sits within a stretch of the series that collectors track closely because of David's growing reputation as a writer capable of pushing street-level Spider-Man stories into darker territory.
Market data reflects a common, plentiful Copper Age title: certified sales cluster in the low double digits even at high grades, with 9.6 copies trading in the $30s and lower grades falling off sharply toward single-digit dollar values. Demand is driven almost entirely by Spider-Man completionists and readers assembling the David-written run rather than by any first-appearance or origin significance, and raw copies in low-to-mid grades see minimal turnover.
This is a book bought for series completion rather than speculation. Entry-level and mid-grade raw copies remain inexpensive and are easy to source in dealer bins or bulk lots, while high-grade CGC 9.8 examples appeal mainly to census-chasers and Spider-Man specialists looking to complete a graded run of the surrounding storyline. It is not a book expected to see significant grade-driven appreciation outside of a broader surge in interest in Peter David's Spider-Man work.
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